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Thirty-six views of Mount Fuji

Raoul Ries

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  • 80 stránok
  • 3 hodiny čítania

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Mount Fuji is widely considered a majestic mountain—lauded, interpreted, surmounted. In the early nineteenth century, Katsushika Hokusai honored it with thirty-six woodcuts. Working according to Japanese tradition, he used symbols representing the seasons and depicted people engaged in activities alluding to the future. The genre is known as Ukiyo-e and the images describe a world in flux, in terms of both space and time. Inspired by this artistic concept, the Luxembourgian artist Raoul Ries circumnavigated Fuji with his camera, capturing realistic moments. The mighty mountain always bursts into the frame, like a leitmotif: sometimes sublime, sometimes hidden, as if playing a game with the viewer. At the end of the journey, not only have readers become familiar with Fuji’s various angles of view, but they’ve also been given a good look at Japanese society, its connection with nature and its everyday life. In short, what we find here is landscape photography with an idea and wit. Exhibition: Galerie Clairefontaine, Luxembourg, 27.4.–27.5.2017

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Thirty-six views of Mount Fuji, Raoul Ries

Jazyk
Rok vydania
2017
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Titul
Thirty-six views of Mount Fuji
Podtitul
Raoul Ries
Jazyk
anglicky
Vydavateľ
Hatje Cantz
Rok vydania
2017
Väzba
pevná
Počet strán
80
ISBN10
3775743081
ISBN13
9783775743082
Série
Hodnotenie
5 z 5
Anotácia
Mount Fuji is widely considered a majestic mountain—lauded, interpreted, surmounted. In the early nineteenth century, Katsushika Hokusai honored it with thirty-six woodcuts. Working according to Japanese tradition, he used symbols representing the seasons and depicted people engaged in activities alluding to the future. The genre is known as Ukiyo-e and the images describe a world in flux, in terms of both space and time. Inspired by this artistic concept, the Luxembourgian artist Raoul Ries circumnavigated Fuji with his camera, capturing realistic moments. The mighty mountain always bursts into the frame, like a leitmotif: sometimes sublime, sometimes hidden, as if playing a game with the viewer. At the end of the journey, not only have readers become familiar with Fuji’s various angles of view, but they’ve also been given a good look at Japanese society, its connection with nature and its everyday life. In short, what we find here is landscape photography with an idea and wit. Exhibition: Galerie Clairefontaine, Luxembourg, 27.4.–27.5.2017