Viac o knihe
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen
Nákup knihy
Film Language, Christian Metz
- Jazyk
- Rok vydania
- 1991
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- Titul
- Film Language
- Jazyk
- anglicky
- Autori
- Christian Metz
- Vydavateľ
- The University of Chicago Press
- Rok vydania
- 1991
- Väzba
- mäkká
- Počet strán
- 286
- ISBN10
- 0226521303
- ISBN13
- 9780226521305
- Série
- Štítky
- Náučná literatúra, Umenie & Kultúra, Spoločenské vedy, Umenie, Jazyky, Filmová tematika, Film, Lingvistika, Vedecké teórie, Výskum, Semiotika
- Hodnotenie
- 3,85 z 5
- Anotácia
- A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen