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The decline of modernism

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In The Decline of Modernism, Peter Burger addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century. In analyzing this relationship, he draws on a wide range of sociological and literary-critical sources---Weber, Benjamin,Foucault, Diderot, Sade, Wyndham Lewis, Peter Weiss, and Joseph Beuys, among others. He argues that in questioning the formal relationship between art and life, which had dominated the eighteenth and nineteenth centuries, the avant-gardist movements of the early twentieth century brought about the crisis of postmodernism. Burger charts the establishment of literary and artistic institutions since the Enlightenment and their apparent autonomy from the prevailing political systems. However, he argues that the discovery of the obverse of Enlightenment--namely, barbarism---revealed the interdependence of art and society and set the scene for the avant-gardist protest against aesthetic formalism.

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The decline of modernism, Peter Bürger

Jazyk
Rok vydania
1992
Väzba
(mäkká)
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Titul
The decline of modernism
Jazyk
anglicky
Vydavateľ
Polity Press
Rok vydania
1992
Väzba
mäkká
ISBN10
0271008903
ISBN13
9780271008905
Série
Hodnotenie
4 z 5
Anotácia
In The Decline of Modernism, Peter Burger addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century. In analyzing this relationship, he draws on a wide range of sociological and literary-critical sources---Weber, Benjamin,Foucault, Diderot, Sade, Wyndham Lewis, Peter Weiss, and Joseph Beuys, among others. He argues that in questioning the formal relationship between art and life, which had dominated the eighteenth and nineteenth centuries, the avant-gardist movements of the early twentieth century brought about the crisis of postmodernism. Burger charts the establishment of literary and artistic institutions since the Enlightenment and their apparent autonomy from the prevailing political systems. However, he argues that the discovery of the obverse of Enlightenment--namely, barbarism---revealed the interdependence of art and society and set the scene for the avant-gardist protest against aesthetic formalism.