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Responsive Listening

Parametre

  • 119 stránok
  • 5 hodin čítania

Viac o knihe

Literary Nonfiction. Acting. Scenography. Essays. Art. Performance Studies. Detailing new perspectives on acting and scenography, this rich, inductive compilation of essays and personal reflections profiles Østfold University College/Norwegian Theatre Academy's unique approach to international theater education. At NTA, artistic research informs our pedagogy. Investigation and experimentation are emphasized over any single technique or method, defined by the use of sonic, kinetic, visual, and olfactory environments that can each serve as material for new creative work. By amplifying our students' engagement with diverse spaces, deep play, movement, full- body listening, vocalization, musicality, collaborative processes, ethical risk, and even failure, the faculty and guest artists at NTA have established a program that challenges the limits of the field, as we continue our growing contribution to contemporary theater practices. Contributors: Karmenlara Ely, Serge von Arx, Camilla Eeg-Tverbakk, Electa Behrens, Øystein Elle, Veronika Bökelmann, and Ivar Furre Aam, with a photo essay by Karen Kipphoff.

Nákup knihy

Responsive Listening, Camilla Eeg-Tverbakk, Karmenlara Ely

Jazyk
Rok vydania
2015
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Platobné metódy

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Titul
Responsive Listening
Jazyk
anglicky
Rok vydania
2015
Väzba
mäkká
Počet strán
119
ISBN10
1936767368
ISBN13
9781936767366
Série
Anotácia
Literary Nonfiction. Acting. Scenography. Essays. Art. Performance Studies. Detailing new perspectives on acting and scenography, this rich, inductive compilation of essays and personal reflections profiles Østfold University College/Norwegian Theatre Academy's unique approach to international theater education. At NTA, artistic research informs our pedagogy. Investigation and experimentation are emphasized over any single technique or method, defined by the use of sonic, kinetic, visual, and olfactory environments that can each serve as material for new creative work. By amplifying our students' engagement with diverse spaces, deep play, movement, full- body listening, vocalization, musicality, collaborative processes, ethical risk, and even failure, the faculty and guest artists at NTA have established a program that challenges the limits of the field, as we continue our growing contribution to contemporary theater practices. Contributors: Karmenlara Ely, Serge von Arx, Camilla Eeg-Tverbakk, Electa Behrens, Øystein Elle, Veronika Bökelmann, and Ivar Furre Aam, with a photo essay by Karen Kipphoff.