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The Al-Thani Collection: Bejewelled Treasures

The Al-Thani Collection

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  • 128 stránok
  • 5 hodin čítania

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This sumptuous book invites readers to examine in exquisite detail some of the world’s finest and rarest examples of Indian jewelry from one of the world’s preeminent collections, objects once owned by the great maharajas, nizams, sultans, and emperors of India from the 17th to the 20th century. Highlights include a rare gold finial from the throne of Tipu Sultan (1750–1799), inlaid with diamonds, rubies, and emeralds and in the shape of a tiger’s head, and a dagger with a stunningly carved jade hilt and a watered steel blade inlaid with gold owned by Shah Jahan. Other pieces reveal the dramatic changes that took place in Indian jewelry design during the early 20th century. This glorious book also examines the influence that India itself had on avant-garde European jewelry made by Cartier and other leading houses and concludes with contemporary pieces made by JAR and Viren Bhagat of Mumbai, which are inspired by a creative fusion of Mughal motifs and art deco “Indian” designs.

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The Al-Thani Collection: Bejewelled Treasures, Susan Stronge

Jazyk
Rok vydania
2015
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Titul
The Al-Thani Collection: Bejewelled Treasures
Podtitul
The Al-Thani Collection
Jazyk
anglicky
Rok vydania
2015
Väzba
pevná
Počet strán
128
ISBN10
1851778578
ISBN13
9781851778577
Série
Hodnotenie
4,5 z 5
Anotácia
This sumptuous book invites readers to examine in exquisite detail some of the world’s finest and rarest examples of Indian jewelry from one of the world’s preeminent collections, objects once owned by the great maharajas, nizams, sultans, and emperors of India from the 17th to the 20th century. Highlights include a rare gold finial from the throne of Tipu Sultan (1750–1799), inlaid with diamonds, rubies, and emeralds and in the shape of a tiger’s head, and a dagger with a stunningly carved jade hilt and a watered steel blade inlaid with gold owned by Shah Jahan. Other pieces reveal the dramatic changes that took place in Indian jewelry design during the early 20th century. This glorious book also examines the influence that India itself had on avant-garde European jewelry made by Cartier and other leading houses and concludes with contemporary pieces made by JAR and Viren Bhagat of Mumbai, which are inspired by a creative fusion of Mughal motifs and art deco “Indian” designs.