Bookbot

Viac o knihe

Drawings are conventionally thought of as handmade objects, on a flat surface, that can be hung on a wall. The works that Edward Kienholz termed drawings are, like his freestanding sculptures, assemblages of things found ready-made. They appeared as early as 1961, the year in which Kienholz produced the first of the room-sized sculptural tableaux that became synonymous with his name. The evolution of the drawings runs precisely parallel with that of the tableaux, stretching across the whole of his career, first as a sculptor working alone, and from 1972 in collaboration with his wife, Nancy Reddin Kienholz. Until now the drawings have been shown and reproduced only in relation to the large sculptures. This handsome book examines this central and major body of work and explores the concept of "drawings" as a studio process for the Kienholzes

Nákup knihy

Kienholz Tableau Drawings, Marco Livingstone, Edward Kienholz, Nancy Reddin-Kienholz, L. A. Louver Gallery

Jazyk
Rok vydania
2001
product-detail.submit-box.info.binding
(mäkká)
Akonáhle sa objaví, pošleme e-mail.

Platobné metódy

3,5
Dobrá
2 Hodnotenie

Tu nám chýba tvoja recenzia

Titul
Kienholz Tableau Drawings
Jazyk
anglicky
Vydavateľ
LA Louver
Rok vydania
2001
Väzba
mäkká
Počet strán
145
ISBN10
097081870X
ISBN13
9780970818706
Série
Hodnotenie
3,5 z 5
Anotácia
Drawings are conventionally thought of as handmade objects, on a flat surface, that can be hung on a wall. The works that Edward Kienholz termed drawings are, like his freestanding sculptures, assemblages of things found ready-made. They appeared as early as 1961, the year in which Kienholz produced the first of the room-sized sculptural tableaux that became synonymous with his name. The evolution of the drawings runs precisely parallel with that of the tableaux, stretching across the whole of his career, first as a sculptor working alone, and from 1972 in collaboration with his wife, Nancy Reddin Kienholz. Until now the drawings have been shown and reproduced only in relation to the large sculptures. This handsome book examines this central and major body of work and explores the concept of "drawings" as a studio process for the Kienholzes