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Suburban World

The Norling Photos

Hodnotenie knihy

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Men wearing suits jousting with sailfish. Head-on bridge collision. Men with linoleum. Kitchen murder-suicide. Firemen playing donkey baseball. Ideal woman in apron. Through more than 10,000 images, Irwin Denison Norling, the unofficial town photographer for Bloomington, Minnesota, captured the strange juxtapositions, incongruities, and dark corners of the developing suburban America of the 1950s and '60s. A competitive amateur glued to his police radio, Norling spent years examining the light and darkness, tragedies and desolation, rituals of community and celebration through the lens of his camera, deftly capturing the uneasy dichotomy between the familiar and subversive—the familiarly subversive. "That was the way it was. And the way it was, that's what I was after."In 2002 veteran journalist Brad Zellar unearthed Norling's negatives from the archive of the Bloomington Historical Society. Compelled by the work of this man who had all but drifted into obscurity, Zellar collects the best of these images in Suburban World, a fascinating window into the uneasy contradictions in Norling's unforgettable and unselfconscious, funny and gritty, not-too-distant past.

Nákup knihy

Suburban World, Brad Zellar, Alec Soth

Jazyk
Rok vydania
2008
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4,1
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33 Hodnotenie

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Titul
Suburban World
Podtitul
The Norling Photos
Jazyk
anglicky
Vydavateľ
Borealis Books
Rok vydania
2008
Väzba
pevná
Počet strán
144
ISBN10
0873516095
ISBN13
9780873516099
Série
Hodnotenie
4,1 z 5
Anotácia
Men wearing suits jousting with sailfish. Head-on bridge collision. Men with linoleum. Kitchen murder-suicide. Firemen playing donkey baseball. Ideal woman in apron. Through more than 10,000 images, Irwin Denison Norling, the unofficial town photographer for Bloomington, Minnesota, captured the strange juxtapositions, incongruities, and dark corners of the developing suburban America of the 1950s and '60s. A competitive amateur glued to his police radio, Norling spent years examining the light and darkness, tragedies and desolation, rituals of community and celebration through the lens of his camera, deftly capturing the uneasy dichotomy between the familiar and subversive—the familiarly subversive. "That was the way it was. And the way it was, that's what I was after."In 2002 veteran journalist Brad Zellar unearthed Norling's negatives from the archive of the Bloomington Historical Society. Compelled by the work of this man who had all but drifted into obscurity, Zellar collects the best of these images in Suburban World, a fascinating window into the uneasy contradictions in Norling's unforgettable and unselfconscious, funny and gritty, not-too-distant past.