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The Garbage Eater

Poems

Parametre

  • 74 stránok
  • 3 hodiny čítania

Viac o knihe

The “Garbage Eater” of the title poem in Brett Foster’s provocative collection is a member of a religious sect (some would say cult) in the Bay Area who lives an ascetic life eating scraps from dumpsters. Just as this simple way of life exists within the most technologically advanced region in the world, Foster’s poems are likewise animated by the constant tension between material reality and an unabashed yearning for transcendence. The titles of Foster’s poems—“Like as a ship, that through the Ocean wyde,” “Meditation in an Olive Garden,” “Little Flowers of Dan Quisenberry” —nod to the poems of the classical, medieval, and Renaissance masters he studies as a scholar. In Foster’s vivid imagination, however, they point to the surprises hidden in the a trip to the DMV, a visit to a chain restaurant, and the saintly reflections of the Kansas City Royals’ best closer. A lesser, more faddish writer would then tend toward ironic distance, but Foster fearlessly raises such unfashionable subjects as joy, doubt, gratitude, and grief without losing a sly sense of humor, even (as the sample poem shows) about poetry itself. Given its ambition, The Garbage Eater hardly seems a debut work. Foster’s universal subject matter and approachable style will win fans among both the most experienced poetry readers and those easily intimidated by contemporary verse.

Nákup knihy

The Garbage Eater, Brett Foster

Jazyk
Rok vydania
2011
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(mäkká),
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Cena
13,49 €

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Titul
The Garbage Eater
Podtitul
Poems
Jazyk
anglicky
Väzba
mäkká
Počet strán
74
ISBN10
0810127458
ISBN13
9780810127456
Série
Štítky
Poézia, USA, Verše
Anotácia
The “Garbage Eater” of the title poem in Brett Foster’s provocative collection is a member of a religious sect (some would say cult) in the Bay Area who lives an ascetic life eating scraps from dumpsters. Just as this simple way of life exists within the most technologically advanced region in the world, Foster’s poems are likewise animated by the constant tension between material reality and an unabashed yearning for transcendence. The titles of Foster’s poems—“Like as a ship, that through the Ocean wyde,” “Meditation in an Olive Garden,” “Little Flowers of Dan Quisenberry” —nod to the poems of the classical, medieval, and Renaissance masters he studies as a scholar. In Foster’s vivid imagination, however, they point to the surprises hidden in the a trip to the DMV, a visit to a chain restaurant, and the saintly reflections of the Kansas City Royals’ best closer. A lesser, more faddish writer would then tend toward ironic distance, but Foster fearlessly raises such unfashionable subjects as joy, doubt, gratitude, and grief without losing a sly sense of humor, even (as the sample poem shows) about poetry itself. Given its ambition, The Garbage Eater hardly seems a debut work. Foster’s universal subject matter and approachable style will win fans among both the most experienced poetry readers and those easily intimidated by contemporary verse.