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American Horrors

Essays on the Modern American Horror Film

Parametre

  • 248 stránok
  • 9 hodin čítania

Viac o knihe

Since the release of <i>Rosemary's Baby</i> in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods---from close textual readings and structuralist genre criticism to psychoanalytical, feminist, and ideological analyses---the authors examine individual films, directors, and subgenres. In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (<i>Night of the Living Dead, The Exorcist, </i>and <i>Halloween</i>) and particularly problematic films (<i>Don't Look Now</i> and <i>Eyes of Laura Mars</i>) with discussions of such central thematic preoccupations as the genre's representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal. In addition, <i>American Horrors</i> includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.

Nákup knihy

American Horrors, Gregory Albert Waller

Jazyk
Rok vydania
1987
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Titul
American Horrors
Podtitul
Essays on the Modern American Horror Film
Jazyk
anglicky
Rok vydania
1987
Väzba
mäkká
Počet strán
248
ISBN10
0252014480
ISBN13
9780252014482
Série
Anotácia
Since the release of <i>Rosemary's Baby</i> in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods---from close textual readings and structuralist genre criticism to psychoanalytical, feminist, and ideological analyses---the authors examine individual films, directors, and subgenres. In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (<i>Night of the Living Dead, The Exorcist, </i>and <i>Halloween</i>) and particularly problematic films (<i>Don't Look Now</i> and <i>Eyes of Laura Mars</i>) with discussions of such central thematic preoccupations as the genre's representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal. In addition, <i>American Horrors</i> includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.