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I Tatti Studies in Italian Renaissance History: Printing a Mediterranean World

Florence, Constantinople, and the Renaissance of Geography

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In 1482, the Florentine humanist and statesman Francesco Berlinghieri produced the <i>Geographia</i>, a book of over one hundred folio leaves describing the world in Italian verse, inspired by the ancient Greek geography of Ptolemy. The poem, divided into seven books (one for each day of the week the author "travels" the known world), is interleaved with lavishly engraved maps to accompany readers on this journey. Sean Roberts demonstrates that the <i>Geographia</i> represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography. Simultaneously, the use of the <i>Geographia</i> as a diplomatic gift from Florence to the Ottoman Empire tells another story. This exchange expands our understanding of Mediterranean politics, European perceptions of the Ottomans, and Ottoman interest in mapping and print. The envoy to the Sultan represented the aspirations of the Florentine state, which chose not to bestow some other highly valued good, such as the city's renowned textiles, but instead the best example of what Florentine visual, material, and intellectual culture had to offer.

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I Tatti Studies in Italian Renaissance History: Printing a Mediterranean World, Sean E. Roberts

Jazyk
Rok vydania
2012
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Titul
I Tatti Studies in Italian Renaissance History: Printing a Mediterranean World
Podtitul
Florence, Constantinople, and the Renaissance of Geography
Jazyk
anglicky
Rok vydania
2012
Väzba
pevná
Počet strán
335
ISBN10
0674066480
ISBN13
9780674066489
Série
Anotácia
In 1482, the Florentine humanist and statesman Francesco Berlinghieri produced the <i>Geographia</i>, a book of over one hundred folio leaves describing the world in Italian verse, inspired by the ancient Greek geography of Ptolemy. The poem, divided into seven books (one for each day of the week the author "travels" the known world), is interleaved with lavishly engraved maps to accompany readers on this journey. Sean Roberts demonstrates that the <i>Geographia</i> represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography. Simultaneously, the use of the <i>Geographia</i> as a diplomatic gift from Florence to the Ottoman Empire tells another story. This exchange expands our understanding of Mediterranean politics, European perceptions of the Ottomans, and Ottoman interest in mapping and print. The envoy to the Sultan represented the aspirations of the Florentine state, which chose not to bestow some other highly valued good, such as the city's renowned textiles, but instead the best example of what Florentine visual, material, and intellectual culture had to offer.