Bookbot

Hughie O'Donoghue

Painting, Memory, Myth

Parametre

  • 160 stránok
  • 6 hodin čítania

Viac o knihe

Contemporary artist Hughie O'Donoghue has long been preoccupied by the experience of war and its legacy - not the grand military moments that formed the subject-matter of traditional history painting, but the story of the individual.The starting-point for O'Donoghue has been an engagement with his father's experiences as an infantryman in the Second World War, in France, Britain, Italy and Greece. His work is centred on two main his father's retreat from France through the port of Cherbourg in June 1940, after the evacuation of Dunkirk; and the advance in Italy in 1944, including the Battle of Monte Cassino.O'Donoghue sees his body of work on the theme of war as "a visual equivalent of the Classical epic poem, with individual pictures functioning like chapters, verses, or lines". The analogy is carried through into the works themselves, many of which tell their often complicated story in a strikingly visual, semi-abstracted way through metaphor, symbolism and references that derive from ancient Greek mythology. The story of the individual, of the artist's father, thereby becomes the story of Everyman - a story at once intimate and anonymous. In this, the first major study of O'Donoghue's work, the themes of history, memory and identity are explored.

Nákup knihy

Hughie O'Donoghue, James Hamilton, Hughie O'Donoghue

Jazyk
Rok vydania
2003
product-detail.submit-box.info.binding
(pevná),
Stav knihy
Dobrá
Cena
33,99 €

Platobné metódy

Nikto zatiaľ neohodnotil.Ohodnotiť

Titul
Hughie O'Donoghue
Podtitul
Painting, Memory, Myth
Jazyk
anglicky
Vydavateľ
Merrell
Rok vydania
2003
Väzba
pevná
Počet strán
160
ISBN10
1858942047
ISBN13
9781858942049
Série
Štítky
Umenie
Anotácia
Contemporary artist Hughie O'Donoghue has long been preoccupied by the experience of war and its legacy - not the grand military moments that formed the subject-matter of traditional history painting, but the story of the individual.The starting-point for O'Donoghue has been an engagement with his father's experiences as an infantryman in the Second World War, in France, Britain, Italy and Greece. His work is centred on two main his father's retreat from France through the port of Cherbourg in June 1940, after the evacuation of Dunkirk; and the advance in Italy in 1944, including the Battle of Monte Cassino.O'Donoghue sees his body of work on the theme of war as "a visual equivalent of the Classical epic poem, with individual pictures functioning like chapters, verses, or lines". The analogy is carried through into the works themselves, many of which tell their often complicated story in a strikingly visual, semi-abstracted way through metaphor, symbolism and references that derive from ancient Greek mythology. The story of the individual, of the artist's father, thereby becomes the story of Everyman - a story at once intimate and anonymous. In this, the first major study of O'Donoghue's work, the themes of history, memory and identity are explored.