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Still Life and Trade in the Dutch Golden Age

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  • 411 stránok
  • 15 hodin čítania

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The magnificent still life paintings of the Dutch Golden Age depict tables richly laid with an array of products that attest to the vast scope of the Dutch trade network. These striking pictures reveal much more about Dutch society and capitalist culture of the seventeenth century than has been previously understood, says the author of this engaging book. Julie Berger Hochstrasser explores for the first time the significance of various foods and commodities rendered on canvas during the Dutch Republic’s phenomenal rise to prosperity.From domestic cheese to the wines of Europe to exotic commodities like pepper, porcelain, and even slaves imported by the Dutch East and West India Companies, the fruits of global commerce glowed in paintings of the time. Yet an uncomfortable tension exists between these elegant representations of products of trade and the darker aspects of their commodity histories. With penetrating insights, Hochstrasser offers a new and provocative view of Dutch still life paintings.

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Still Life and Trade in the Dutch Golden Age, Julie Berger Hochstrasser

Jazyk
Rok vydania
2004
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Titul
Still Life and Trade in the Dutch Golden Age
Jazyk
anglicky
Rok vydania
2004
Väzba
pevná
Počet strán
411
ISBN10
0300100388
ISBN13
9780300100389
Série
Anotácia
The magnificent still life paintings of the Dutch Golden Age depict tables richly laid with an array of products that attest to the vast scope of the Dutch trade network. These striking pictures reveal much more about Dutch society and capitalist culture of the seventeenth century than has been previously understood, says the author of this engaging book. Julie Berger Hochstrasser explores for the first time the significance of various foods and commodities rendered on canvas during the Dutch Republic’s phenomenal rise to prosperity.From domestic cheese to the wines of Europe to exotic commodities like pepper, porcelain, and even slaves imported by the Dutch East and West India Companies, the fruits of global commerce glowed in paintings of the time. Yet an uncomfortable tension exists between these elegant representations of products of trade and the darker aspects of their commodity histories. With penetrating insights, Hochstrasser offers a new and provocative view of Dutch still life paintings.