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Screening the Male

Exploring Masculinities in the Hollywood Cinema

Parametre

  • 288 stránok
  • 11 hodin čítania

Viac o knihe

Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory.Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus. Feminist criticism has shown how difficult it is for the female viewer to resist becoming implicated in this representational system. But the theroies have overlooked the significance of the problem itself - of the masuline motivation at the core of the system. The essays here explore those male characters, spectators, and performers who occupy positions conventionally encoded as "feminine" in Hollywood narrative and questions just how secure that orthodox male position is.Screening the Male brings together an impressive group of both established and emerging scholars from Britain, the United States and Australia unified by a concern with issues that film theorists have exclusively inked to the femninie and not the spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generatonal differences.

Nákup knihy

Screening the Male, Steven Cohan, Ina Rae Hark

Jazyk
Rok vydania
1993
Väzba
(mäkká),
Stav knihy
Poškodená
Cena
3,81 €

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Titul
Screening the Male
Podtitul
Exploring Masculinities in the Hollywood Cinema
Jazyk
anglicky
Vydavateľ
Routledge
Rok vydania
1993
Väzba
mäkká
Počet strán
288
ISBN10
0415077591
ISBN13
9780415077590
Série
Anotácia
Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory.Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus. Feminist criticism has shown how difficult it is for the female viewer to resist becoming implicated in this representational system. But the theroies have overlooked the significance of the problem itself - of the masuline motivation at the core of the system. The essays here explore those male characters, spectators, and performers who occupy positions conventionally encoded as "feminine" in Hollywood narrative and questions just how secure that orthodox male position is.Screening the Male brings together an impressive group of both established and emerging scholars from Britain, the United States and Australia unified by a concern with issues that film theorists have exclusively inked to the femninie and not the spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generatonal differences.