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American Studies: A Monograph Series - 274: Walking the Möbius Strip

An Inquiry into Knowing in Richard Powers’s Fiction

Parametre

  • 291 stránok
  • 11 hodin čítania

Viac o knihe

‘Walking the Möbius Strip’ locates Richard Powers’s fiction at the crossroads of postmodern and post-postmodern aesthetics and argues that this paradigm shift shapes the models of knowledge and understanding that underwrite his work. The readings of ‘Plowing the Dark’, ‘Galatea 2.2’, and ‘The Echo Maker’ are inspired by Jacques Lacan’s image of cognition as a Möbius strip on which different forms of propositional and non-propositional knowledge bleed into and depend upon one another. Drawing on feminist epistemology and psychoanalysis, this study highlights Powers’s interest in the non-propositional aspects of cognition, that is, in all that escapes the frameworks of scientific empiricism and can only be known through the mediation of fictional narrative. It reveals a deep dissatisfaction in the novels with the suggestion that knowledge and understanding must be objective and rational, and elucidates Powers’s idea that fiction can be a powerful tool for integrating various kinds of knowledge.

Nákup knihy

American Studies: A Monograph Series - 274: Walking the Möbius Strip, Johanna Heil

Jazyk
Rok vydania
2016
Väzba
(pevná),
Stav knihy
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Cena
29,49 €

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Titul
American Studies: A Monograph Series - 274: Walking the Möbius Strip
Podtitul
An Inquiry into Knowing in Richard Powers’s Fiction
Jazyk
anglicky
Rok vydania
2016
Väzba
pevná
Počet strán
291
ISBN10
3825364909
ISBN13
9783825364908
Série
Anotácia
‘Walking the Möbius Strip’ locates Richard Powers’s fiction at the crossroads of postmodern and post-postmodern aesthetics and argues that this paradigm shift shapes the models of knowledge and understanding that underwrite his work. The readings of ‘Plowing the Dark’, ‘Galatea 2.2’, and ‘The Echo Maker’ are inspired by Jacques Lacan’s image of cognition as a Möbius strip on which different forms of propositional and non-propositional knowledge bleed into and depend upon one another. Drawing on feminist epistemology and psychoanalysis, this study highlights Powers’s interest in the non-propositional aspects of cognition, that is, in all that escapes the frameworks of scientific empiricism and can only be known through the mediation of fictional narrative. It reveals a deep dissatisfaction in the novels with the suggestion that knowledge and understanding must be objective and rational, and elucidates Powers’s idea that fiction can be a powerful tool for integrating various kinds of knowledge.