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The Domus Aurea Book. Ediz. Inglese

Parametre

  • 256 stránok
  • 9 hodin čítania

Viac o knihe

The palace of Nero is a visionary monument, decorated with monsters, fantastic animals and mythical scenes taken from the Homeric poems to create a colourful and seductive imagery. The part of this sumptuous ostentation of power that survived the damnatio memoriae of the emperor after his death is the pavilion on the Oppian Hill, over which the foundations of the new Baths of Trajan were built.0The volume opens with a portrait of Nero, a prince-artist whose complexity can only be guessed between the lines of a violently hostile biographical tradition. There follow, in order, the vicissitudes of the building, between rediscoveries (in the 15th century) and new condemnations (after the Council of Trent), an investigation into the ?grotesque? style from Raphael to the present day and a final chapter on the links with the imagery of contemporary art. The images that accompany the texts, as in all the volumes in this series, range from 19th-century paintings to maps and archaeological finds and, together with quotations, give the reader an unconventional and yet scholarly overview of the history of this magnificent monument.

Nákup knihy

The Domus Aurea Book. Ediz. Inglese, Vincenzo Farinella

Jazyk
Rok vydania
2019
Väzba
(mäkká),
Stav knihy
Dobrá
Cena
27,49 €

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Titul
The Domus Aurea Book. Ediz. Inglese
Jazyk
anglicky
Vydavateľ
Electa
Rok vydania
2019
Väzba
mäkká
Počet strán
256
ISBN10
8891828475
ISBN13
9788891828477
Série
Anotácia
The palace of Nero is a visionary monument, decorated with monsters, fantastic animals and mythical scenes taken from the Homeric poems to create a colourful and seductive imagery. The part of this sumptuous ostentation of power that survived the damnatio memoriae of the emperor after his death is the pavilion on the Oppian Hill, over which the foundations of the new Baths of Trajan were built.0The volume opens with a portrait of Nero, a prince-artist whose complexity can only be guessed between the lines of a violently hostile biographical tradition. There follow, in order, the vicissitudes of the building, between rediscoveries (in the 15th century) and new condemnations (after the Council of Trent), an investigation into the ?grotesque? style from Raphael to the present day and a final chapter on the links with the imagery of contemporary art. The images that accompany the texts, as in all the volumes in this series, range from 19th-century paintings to maps and archaeological finds and, together with quotations, give the reader an unconventional and yet scholarly overview of the history of this magnificent monument.