Quincey Thomas de Knihy

De Quinceys Text, der mit schwarzem Humor in stilistisch brillanter Weise den künstlerisch vollendeten Mord nahezu rechtfertitgt, zählt zu den großen englischen Essays. Dass es darin nicht allein um Satire geht, schreibt der Literaturkritiker Joachim Kalka im 'Spiegel spezial' vom Oktober 2003:" Mit seinem kühnen Essay ' Der Mord als schöne Kunst betrachtet' ist der englische Romantiker Thomas DeQuincey so etwas wie der Schutzheilige der Kriminalromans geworden - all der Texte, die den Mord ästhetisch auffassen, als Problem mit eleganter Lösung. De Quincey wirft uns beiläufig zurück auf die eigentlich ängstigende Frage, bei der die Gemütlichkeit aufhört: Was gefällt uns daran so sehr?"

Exploring the depths of opium-induced dreams, this collection features short essays that reflect the author's profound experiences with addiction. Written erratically since 1854, these prose poems are celebrated for their emotional intensity and unique style, earning recognition as some of the finest prose poetry in English literature. Each piece serves as a glimpse into the author's psyche, capturing the surreal and often haunting nature of his visions.

Offers an account of the pleasures and pains of worshipping at the 'Church of Opium'. This autobiography of addiction hauntingly describes the author's surreal visions and hallucinatory nocturnal wanderings through London, along with the nightmares, despair and paranoia to which he became prey.

This comprehensive collection spans 16 volumes and delves into the political landscape of modern England, examining the evolution and dynamics of its political parties. The work provides in-depth analysis and insights into the historical context and influences shaping these parties, offering readers a thorough understanding of contemporary political structures and their implications. Ideal for those interested in political science and British history, this collection serves as a valuable resource for scholars and enthusiasts alike.

Focusing on addiction and personal experience, the author is renowned for his seminal work that marked the beginning of addiction literature in the West. Initially in London for translations, he was inspired to share his opium experiences, which captivated readers and overshadowed contemporary works. De Quincey's literary contributions extend beyond this pivotal piece, encompassing essays, autobiographical sketches, and various other writings that reflect his intellectual depth and stylistic innovation.

One of 60 low-priced classic texts published to celebrate Penguin's 60th anniversary. All the titles are extracts from "Penguin Classics" titles.

The provocative early-nineteenth-century essayist casts a blackly comic eye over the aesthetics of murder through the ages.

Focusing on the preservation of literary heritage, this volume features the uncollected writings of Thomas de Quincey, enhanced by a preface and annotations from James Hogg. It has been meticulously reformatted and retyped to ensure clarity and readability, moving beyond mere scanned reproductions of the original texts. This effort aims to keep De Quincey's contributions accessible to contemporary and future readers, highlighting their enduring significance in human history.

This collection features the uncollected writings of Thomas de Quincey, showcasing his literary significance throughout history. With a preface and annotations by James Hogg, the work has been thoughtfully reformatted and retyped for clarity and readability, ensuring that it remains accessible to both contemporary and future readers. Alpha Editions has taken care to preserve the essence of de Quincey's contributions while presenting them in a modern format, emphasizing their enduring relevance.

Exploring the depths of addiction, this autobiographical account reveals Thomas De Quincey's experiences with laudanum and its profound impact on his life. Through vivid reflections, he navigates the complexities of opium use, examining its influence on his thoughts, emotions, and creativity. The narrative delves into themes of pleasure and suffering, offering a candid look at the struggles of addiction and the blurred lines between ecstasy and despair.