Irvine Welsh Knihy

Trainspotting, spôsob zabíjania času britskej mládeže, spočíva v zaznamenávaní príchodov a odchodov vlakov a v porovnávaní týchto časov s oficiálnym cestovným poriadkom. Welshov Trainspotting zaznamenáva turbulentné životné obdobie a s ním spojené skúsenosti partie priateľov, ktorí sú napriek mladému veku deprimovaní životom a "správnymi" voľbami. Príbeh je tvorený poviedkami, v ktorých vďaka autorovej vynaliezavosti, nadhľadu no najmä empatii sledujeme cesty partie drogovo závislých priateľov Rentona, Scípáka, Spuda, Franca a Druhej Ceny. Škótsky dialekt, čierny humor, drsný slovník, ihly a striekačky, HIV, smrť aj život. To všetko Welsh spracoval do teraz už kultového diela, ktoré sa stalo súčasťou britského a škótskeho literárneho folklóru. Už tri roky po publikovaní knihy sa v kinách objavilo jej filmové spracovanie, ktorého sa zhostil režisér Danny Boyle (Milionár z chatrče, 127 hodín), v úlohe Rentona sa predstavil škótsky herec Ewan McGregor.

Mark Renton has it all: he's good-looking, young, with a pretty girlfriend and a place at university. But there's no room for him in the 1980s. Thatcher's government is destroying working-class communities across Britain, and the post-war certainties of full employment, educational opportunity and a welfare state are gone. When his family starts to fracture, Mark's life swings out of control and he succumbs to the defeatism which has taken hold in Edinburgh's grimmer areas. The way out is heroin. It's no better for his friends. Spud Murphy is paid off from his job, Tommy Lawrence feels himself being sucked into a life of petty crime and violence - the worlds of the thieving Matty Connell and psychotic Franco Begbie. Only Sick Boy, the supreme manipulator of the opposite sex, seems to ride the current, scamming and hustling his way through it all. Skagboys charts their journey from likely lads to young men addicted to the heroin which has flooded their disintegrating community. This is the 1980s: a time of drugs, poverty, AIDS, violence, political strife and hatred - but a lot of laughs, and maybe just a little love; a decade which changed Britain for ever. The prequel to the world-renowned Trainspotting, this is an exhilarating and moving book, full of the scabrous humour, salty vernacular and appalling behaviour that has made Irvine Welsh a household name.

*THE SUNDAY TIMES BESTSELLER* Mark Renton is finally a success. An international jet-setter, he now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms and broken relationships have left him dissatisfied with his life. He's then rocked by a chance encounter with Frank Begbie, from whom he'd been hiding for years after a terrible betrayal and the resulting debt. But the psychotic Begbie appears to have reinvented himself as a celebrated artist and - much to Mark's astonishment - doesn't seem interested in revenge. Sick Boy and Spud, who have agendas of their own, are intrigued to learn that their old friends are back in town, but when they enter the bleak world of organ-harvesting, things start to go so badly wrong. Lurching from crisis to crisis, the four men circle each other, driven by their personal histories and addictions, confused, angry - so desperate that even Hibs winning the Scottish Cup doesn't really help. One of these four will not survive to the end of this book. Which one of them is wearing Dead Men's Trousers? Fast and furious, scabrously funny and weirdly moving, this is a spectacular return of the crew from Trainspotting.

With the Christmas season upon him, Detective Sergeant Bruce Robertson of Edinburgh's finest is gearing up socially—kicking things off with a week of sex and drugs in Amsterdam.There are some sizable flies in the ointment, though: a missing wife and child, a nagging cocaine habit, some painful below-the-belt eczema, and a string of demanding extramarital affairs. The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

"GLUE is the story of four boys growing up in the Edinburgh schemes, and about the loyalties, the experiences - and the secrets - that hold them together into their thirties. Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer: driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally - who has one less skin than everyone else and seems to find catastrophe at every corner. As we follow their lives from the seventies into the new century - from punk to techno, from speed to Es - we can see each of them trying to struggle out from under the weight of the conditioning of class and culture, peer pressure and their parents' hopes that maybe their sons will do better than they did. What binds the four of them is the friendship formed by the scheme, their school, and their ambition to escape from both; their loyalty fused in street morality: back up your mates, don't hit women and, most importantly, never grass - on anyone. Despite its scale and ambition, Glue has all Irvine Welsh's usual pace and vigour, crackling dialogue, scabrous set-pieces and black, black humour, but it is also a grown-up book about growing up - about the way we live our lives, and what happens to us when things become unstuck."--Publisher's website.

Roy Strang is engaged in a strange quest in a surrealist South Africa. His mission is to eradicate an evil predator-scavenger bird, the marabou stork, before it drives away the peace-loving flamingo from the picturesque Lake Torto. But behind this world lies another: the world of Roy's bizarre family, the Scottish housing scheme in which he grew up, his mundane job, a disastrous emigration to Africa, and his youthful life of brutality with a gang of soccer casuals. As one world crashes into the other, this potentially charming story of ornithological goodwill mutates into a filthy tale of violence, abuse and redemption.

Shortlisted for the 2015 Bollinger Everyman Wodehouse prize for comic fiction A rampaging force of nature is wreaking havoc on the streets of Edinburgh, but has top shagger, drug-dealer, gonzo-porn-star and taxi-driver, ‘Juice’ Terry Lawson, finally met his match in Hurricane ‘Bawbag’? Can Terry discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison? Will he find out the real motives of unscrupulous American businessman and reality-TV star, Ronald Checker? And, crucially, will Terry be able to negotiate life after a terrible event robs him of his sexual virility, and can a new fascination for the game of golf help him to live without… A DECENT RIDE? A Decent Ride sees Irvine Welsh back on home turf, leaving us in the capable hands of one of his most compelling and popular characters, ‘Juice’ Terry Lawson, and introducing another bound for cult status, Wee Jonty MacKay: a man with the genitals and brain of a donkey. In his funniest, filthiest book yet, Irvine Welsh celebrates an un-reconstructed misogynist hustler – a central character who is shameless but also, oddly, decent –and finds new ways of making wild comedy out of fantastically dark material, taking on some of the last taboos. So fasten your seatbelts, because this is one ride that could certainly get a little bumpy…

Britský deník Daily Telegraph pozval sedm rozdílných anglických autorů na jeden víkend do Súdánu, „aby se osobně angažovali ve válce, která byla do té doby mimo jejich dosah...“ Každý z autorů je mistrem svého žánru – a každý z nich musel vykročit ze svého odlišného, nicméně podobně výlučného světa. Irvine Welsh, znalec drogové subkultury Edinburghu; Alex Garland, nonkonformní autor dobrodružných románů; Victoria Glendinningová, autorka zachycující životy z jiných století; Andrew O’Hagan, pronikavý kronikář současných životů; Bill Deedes, který je již 70 let novinářem, psal poprvé v životě beletrii; a Tony Hawks se pokoušel složit se súdánskými domorodci píseň. Pouze Giles Foden se skupinou necestoval. Jeho příspěvek, o který jsme požádali až později, jelikož jeho zkušenosti z Afriky dodaly knize další rozměr, byl napsán před hrozivými událostmi 11. září.

Jim Francis has finally found the perfect life – and is now unrecognisable, even to himself. A successful painter and sculptor, he lives quietly with his wife, Melanie, and their two young daughters, in an affluent beach town in California. Some say he’s a fake and a con man, while others see him as a genuine visionary. But Francis has a very dark past, with another identity and a very different set of values. When he crosses the Atlantic to his native Scotland, for the funeral of a murdered son he barely knew, his old Edinburgh community expects him to take bloody revenge. But as he confronts his previous life, all those friends and enemies – and, most alarmingly, his former self – Francis seems to have other ideas. When Melanie discovers something gruesome in California, which indicates that her husband’s violent past might also be his psychotic present, things start to go very bad, very quickly. The Blade Artist is an elegant, electrifying novel – ultra violent but curiously redemptive – and it marks the return of one of modern fiction’s most infamous, terrifying characters, the incendiary Francis Begbie from Trainspotting.

"Irvine Welsh's scintillating, disturbing, and altogether outrageous collection of stories—the basis for the 1998 cult movie directed by Paul McGuigan"--