This important re-evaluation of the Dutch- born painter Lawrence Alma-Tadema traces his personal and artistic journey towards international fame and success in London and investigates how this exceptionally creative artist used his own houses and studios as laboratories to produce vivid paintings of life in ancient Greece, Rome, and Egypt.
This first major publication about the Pre-Raphaelite movement in more than 15 years incorporates the swell of recent research into a comprehensive, up-to-date survey and comprises over 200 color reproductions, including masterpieces and lesser-known paintings that expand our appreciation of this significant artistic departure. 20 halftones.
The book offers a comprehensive survey of the Pre-Raphaelite movement, integrating recent research and featuring over 200 color reproductions. It highlights both masterpieces and lesser-known works, enhancing the reader's understanding of this significant artistic departure. Additionally, it includes 20 halftones, providing a rich visual experience that showcases the breadth of the movement's impact on art.
The book explores the impact of 19th-century museums and published reproductions on Victorian art, highlighting how British artists drew inspiration from Old Masters like Botticelli and Velázquez. Elizabeth Prettejohn examines the intricate relationship between imitation and originality, suggesting that the most innovative works emerged from faithful emulation of past art. Covering a range of artists from the Pre-Raphaelites to early modernists, it showcases how figures like Dante Gabriel Rossetti and Edward Burne-Jones engaged with historical art to create remarkable contributions to the period.
A fascinating introduction to the life and work of John Singer Sargent, the most accomplished portrait painter of the late-nineteenth and early-twentieth century. -- Tate Publishing.
What can modern art have to do with ancient sculpture? Surely the excitement of modern art lies in its repudiation of classical example? Elizabeth Prettejohn's important and revisionist new book argues otherwise: that ancient sculpture and modern art have been in constant dialogue since Johann Joachim Winckelmann invented art history.
Glanzvolle Abbilder vergangener Zeiten Die Gemälde von Lawrence Alma-Tadema waren bei seinen Zeitgenossen sehr beliebt und leben heute noch durch das Medium Film weiter. Jeder, der einmal einen Monumentalfilm – von den italienischen Stummfilmklassikern bis zu Ridley Scotts Gladiator – gesehen hat, erkennt sofort die von Alma-Tadema inspirierten Arrangements und Kostüme. Das Buch zeigt seine üppigen und detailreichen Werke und erklärt seine Kunst über seine Vorstellung vom Heim neu: von seiner Bewunderung für die in den frühen niederländischen Gemälden dargestellten Interieurs über seine Faszination für die Ruinen von Pompeji bis zu den großen Atelierhäusern, die er selbst schuf und die an sich schon Kunstwerke sind. Aufbauend auf Alma-Tademas Beinamen „Künstlerarchäologe“ zeigt dieses beeindruckende Werk, wie die von ihm geschaffenen Räume, in denen er mit seiner Familie lebte, eine ästhetische Vision dessen darstellen, was die Betrachter und anderen Künstler seit mehr als hundert Jahren fasziniert.
What do we mean when we call a work of art beautiful? How do perceptions of beauty change with the passage of time? This title explores these questions, showing the vital relationship between our changing notions of beauty and specific works of art. It charts the story of western art, from eighteenth- century Germany to the late 20th century.
