Dwight Vreeland Swain bol všestranný autor, ktorý prispieval do rôznych žánrov vrátane sci-fi, záhad, westernov a akčných dobrodružstiev pre množstvo pulpových časopisov. Okrem svojej pisateľskej kariéry sa venoval aj výučbe, kde pomáhal školiť autorov komerčnej beletrie a filmu. Swain bol tiež priekopníkom v písaní scenárov pre dokumentárne a vzdelávacie filmy, kde dramatické techniky nahradili tradičné „hovoriace hlavy“. Jeho vplyv ako tvorcu a učiteľa podčiarkujú jeho neskoršie populárne non-fikčné knihy o písaní a jeho dopyt ako rečníka na spisovateľských konferenciách.
The book is a classical work deemed significant throughout human history, now republished by Alpha Editions to ensure its preservation for future generations. It has been carefully reformatted, retyped, and designed, offering clear and readable text rather than scanned copies. This effort highlights the importance of maintaining access to impactful literature in a modern format.
Set within the realms of American and Canadian literature, this classic work has been preserved and republished by Alpha Editions to ensure its significance endures for future generations. The text has been reformatted, retyped, and redesigned for clarity and readability, distinguishing it from mere scanned copies. This rare volume holds an important place in literary history, reflecting themes and narratives that have resonated through time.
The March 1952 issue of IMAGINATION STORIES OF SCIENCE AND FANTASY features a collection of captivating tales. Highlights include "DARK DESTINY" by Dwight V. Swain and "SPACE OPERA" by John W. Jakes, alongside intriguing stories like "ONCE UPON A MONBEAST" by Charles E. Fritch and "THE KILLER" by J. T. Oliver. Readers can also enjoy "RIDE THE CREPE RING" by Milton Lesser and "REBIRTH" by Daniel F. Galouye, showcasing a blend of science fiction and fantasy that reflects the genre's creativity during that era.
Techniques of the Selling Writer provides solid instruction for people who want to write and sell fiction, not just to talk and study about it. It gives the background, insights, and specific procedures needed by all beginning writers. Here one can learn how to group words into copy that moves, movement into scenes, and scenes into stories; how to develop characters, how to revise and polish, and finally, how to sell the product. No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can shorten any beginner's apprenticeship by years. This is the book for writers who want to turn rejection slips into cashable checks.