Geetanjali Shree Knihy

Set against the backdrop of a fractured society, this novel explores the gathering violence surrounding the 1992 demolition of the Babri Mosque by religious extremists. The narrative unfolds in a powerful, kaleidoscopic manner, reflecting the complexities of cultural and religious tensions. Through its intricate storytelling, it delves into the impact of communal strife and the human stories intertwined with historical events, showcasing the profound consequences of societal division.

Geetanjali Shrees Erzählungen handeln von Familien- und Beziehungsstrukturen, von sozialen und religiösen Konflikten ebenso wie vom Übergang aus der Tradition in die Moderne. Dabei erzeugt die Schriftstellerin Stimmungen, in denen sich Gefühle, Phantasien und Erinnerungen entwickeln können. Mit großer Präzision gelingen ihr so eindringliche Geschichten über die Vielschichtigkeit menschlichen Verhaltens. Diese Anthologie versammelt fünf Erzählungen einer der bedeutendsten Autorinnen der Hindi-Gegenwartsliteratur.

When a bomb explodes in a university cafe, nineteen students are killed. The Empty Space begins with the identification of these slain students. Slowly, each individual is claimed and taken away for a proper burial by their mourning family members. The final mother to enter the cafe identifies the nineteenth body as her eighteen-year-old son and brings him home in a casket. She not only brings home her dead son, though, but also the sole survivor of the blast, a three-year-old boy. By a strange quirk of fate, after the explosion he is found lying in a small empty space, alive and breathing. The Empty Space chronicles the memories of the boy dead, the story of the boy brought home, and the cataclysmic crossing of life and death.

An eighty-year-old woman slips into a deep depression at the death of her husband, then resurfaces to gain a new lease on life. Her determination to fly in the face of convention - including striking up a friendship with a hijra person - confuses her bohemian daughter, who is used to thinking of herself as the more 'modern' of the two. At the older woman's insistence they travel back to Pakistan, simultaneously confronting the unresolved trauma of her teenage experiences of Partition, and re-evaluating what it means to be a mother, a daughter, a woman, a feminist. Rather than respond to tragedy with seriousness, Geetanjali Shree's playful tone and exuberant wordplay results in a book that is engaging, funny, and utterly original, at the same time as being an urgent and timely protest against the destructive impact of borders and boundaries, whether between religions, countries, or genders.