Sarah Weinman Poradie kníh (chronologicky)

From Sarah Weinman, the award-winning editor of Unspeakable Acts, a groundbreaking new anthology showcasing the future of the true crime genre True crime, as an entertainment genre, has always prioritized clear narrative arcs: victims wronged, police detectives in pursuit, suspects apprehended, justice delivered. But what stories have been ignored? In Evidence of Things Seen, fourteen of the most innovative crime writers working today cast a light on the cases that give crucial insight into our society. Wesley Lowery writes about a lynching left unsolved for decades by an indifferent police force and a family's quest for answers. Justine van der Leun reports on the thousands of women in prison for defending themselves from abuse. May Jeong reveals how the Atlanta spa shootings tell a story of America. Edited by acclaimed writer Sarah Weinman, and with an introduction by attorney and host of the Undisclosed podcast Rabia Chaudry, this anthology pulls back the curtain on how crime itself is a by-product of America's systemic harms and inequalities. And in doing so, it reveals how the genre of true crime can be a catalyst for social change. These works combine brilliant storytelling with incisive cultural examinations--and challenge each of us to ask what justice should look like. Evidence of Things Seen introduces the new classics of true crime.

In the 1960s, Edgar Smith, sentenced to death for murdering teenager Victoria Zielinski, corresponded with William F. Buckley, founder of National Review. Buckley, unable to believe that a supporter of the neoconservative movement could commit such a crime, advocated for Smith's life and sentence to be overturned. This sets the stage for a bizarre and tragic narrative of mid-century America. Sarah Weinman's exploration reveals the twists of fate that led Smith to freedom, fame, and ultimately another attempted murder. Smith emerges as a psychopath who gained public acclaim and acceptance before his eventual downfall. Weinman examines the individuals he deceived—Buckley, a book editor, friends, and romantic interests—alongside the American public that bought into his fabrications. The narrative questions who is granted innocence and how society becomes complicit in the stories we share. With clarity and sympathy for those affected by Smith's actions, the work illustrates how he manipulated well-meaning individuals and the American criminal justice system. It uncovers a neglected chapter of American history at the intersection of justice, prison reform, and civil rights, highlighting the profound impact of one man's misguided efforts to liberate another at the expense of Smith's victims.

Skvelá zabudnutá feministická klasika, ktorá kombinuje domácu drámu s medzinárodnými intrigami. Románik medzi Shirley a Coenraadom trvá už desiatky rokov, ale jej túžba po ňom je stále rovnako mocná ako na začiatku. Shirley je žena v domácnosti z Toronta, Coenraad pracuje pre medzinárodnú organizáciu známu iba ako Agentúra. Stretávajú sa v Tangeri, Hongkongu či Ríme a schôdzky si dohadujú pomocou zložitého kódu poznámok prepašovaných do časopisu National Geographic. On ju spoznáva podľa jej kostýmu: elegantných čiernych šiat a perlového náhrdelníka, sám však svoj vzhľad neustále mení. No niečo sa stalo, ich kód odhalili a Coenraad pošle Shirley (ktorá radšej vystupuje pod menom Lola Montezová) do Toronta, do posledného miesta, kam by chcela ísť. Pátranie po milencovi ju zavedie na miesta, kde prežila svoje detstvo v chudobe, až sa napokon dostane k sebe domov, kde zloží perly a vymení malé čierne za hodvábne šaty žiarivých farieb.