Anu Bradford je profesorkou práva a medzinárodných organizácií na Kolumbijskej univerzite. Jej práca sa zameriava na právo Európskej únie, medzinárodné obchodné právo a komparatívne a medzinárodné antimonopolné právo. Pred príchodom na fakultu v roku 2012 pôsobila ako docentka na Chicagskej univerzite. Jej hlboké znalosti práva EÚ a medzinárodných obchodných regulácií z nej robia poprednú autoritu v odbore.
The Brussels Effect offers a novel account of the EU by challenging the view that it is a declining world power. Anu Bradford explains how the EU exerts global influence through its ability to unilaterally regulate the global marketplace without the need to engage in neither international cooperation nor coercion.
'My New Year's Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle - may they never give me peace' PATRICIA HIGHSMITH (New Year's Eve, 1947) Made famous by the great success of her psychological thrillers, The Talented Mr Ripley and Strangers on a Train, Patricia Highsmith is lauded as one of the most influential and celebrated modern writers. However, there has never been a clear picture of the woman behind the books.The relationship between Highsmith's lesbianism, her fraught personality – by parts self-destructive and malicious – and her fiction, has been largely avoided by biographers. She was openly homosexual and wrote the seminal lesbian love story, Carol. In modern times, she would be venerated as a radical exponent of the LGBT community. However, her status as an LGBT icon is undermined by the fact that she was excessively cruel and exploitative of her friends and lovers.In this new biography, Richard Bradford brings his sharp, incisive style to one of the great and most controversial writers of the twentieth century. He considers Highsmith's bestsellers in the context of her troubled personal life; her alcoholism, licentious sex life, racism, anti-Semitism, misogyny and abundant self-loathing.