Anita Loos Knihy

Dva půvabné, na sebe navazující romány ironizují snobství americké lepší společnosti. V románu Páni mají radši blondýnky (1925) líčí autorka formou fingovaného deníku, psaného záměrně neumělým, chybujícím jazykem, život naivní, půvabné lehkomyslné ženy, „dámy z povolání“, která ve světě, jemuž vládnou peníze, zpeněžuje své mládí, půvab a zábavnou prostořekou bezprostřednost. Satira na věčné soupeření mezi oběma pohlavími, jejímž terčem jsou bohatí, leč důvěřiví páni z kruhů amerických obchodníků a anglických aristokratů a snobské společnosti kolem literatury a filmu. Román Ale žení se s brunetkami (1927) vypráví o životě její přítelkyně, která byla příliš upřímná a jejíž cesta za úspěšným sňatkem byla proto daleko složitější.... celý text

Slavná humoristická kniha americké filmové scenáristky 20. let vypráví o tom, jak prostá dívka z maloměsta naplnila svůj typicky americký sen o úspěchu. Formou fiktivního deníku nekonvenční mladé blondýnky, rozhodnuté vytěžit ze svých půvabů co nejvíce na úkor bohatých a ješitných starších pánů, podává autorka i úsměvný obraz životního stylu Ameriky 20. let. Snaha hrdinky prodrat se mezi společenské špičky bez nejmenších zábran je dojemná a cesty klikaté, její sebevědomí však neuznává porážku, a tak se nakonec přece jen bohatě provdá a pevně zakotví mezi snoby. Svůj životní příběh lítostivě konfrontuje s osudem své bezprostřední a nepraktické přítelkyně, která před honbou za milionáři dává přednost citům, a nutně tedy nemůže uspět.

Anita Loos (1888-1981) was one of Hollywood's most respected and prolific screenwriters, as well as an acclaimed novelist and playwright. This title collects film treatments, short stories, and one-act plays of her creative writing and showcases the breadth and depth of her talent. schovat popis

“Kissing your hand may make you feel very very good, but a diamond and safire bracelet lasts forever.” Anita Loos first published the diaries of the gold-digging blonde Lorelei Lee in the flapper days of 1925, forging a new archetype for the modern world. Gentlemen Prefer Blondes follows Lorelei and her best friend, Dorothy, from Hollywood to Manhattan to Paris and London, pursued by eager suitors all the while. In “the Central of Europe,” with a new diamond tiara in her handbag, Lorelei meets a traveling American millionaire who just might be the one. She retires her diary, but not for long, because, as she writes in the opening pages of But Gentlemen Marry Brunettes, “it is bright ideas that keep the home fires burning, and prevent a divorce from taking all of the bloom off Romance.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Lorelei Lee and her best friend Dorothy take the world by storm in their search for the ideal suitor, the richer the better. Lorelei meets an American millionaire who might just be the one. Gentlemen Prefer Blondes was made into a delightful classic film starring Marilyn Monroe and Jane Russell (1953) and features the song 'Diamonds are a Girl's Best Friend'.

Elmer Bliss, nave and implacably optimistic champion of the Southern Californian way, uses his newspaper column to defend the movie world's indiscretions from the scandal sheets. As Tinseltown parties end in murder, Elmer innocently runs sunny accounts of the stars' wholesome lives. His crowning moment comes as Miss Viola Lake, Hollywood's favorite clean-cut starlet, is about to be accused of drug abuse and sexual promiscuity during a murder trial that threatens to blow the lid off the film colony. With his good intentions at the ready, Elmer leaps, like a matinee idol, to Viola's protection. With intimate ease, Anita Loos sets up a fondly sardonic and devastatingly funny tour of the glorious artifice and excess that is tasteless fashions, bizarre religious sects, mass murder, sex, divorce, extravagant morals, industry nepotism, and vacuous inhabitants-fresh from the Midwest-wandering the boulevards in search of fame and fortune.

The book focuses on the significance of cinema in human history, emphasizing its cultural impact. It has been republished in a modern format to ensure its preservation for future generations. Unlike traditional reprints, this edition features clear, readable text that has been reformatted and retyped, enhancing accessibility and engagement for contemporary readers. The effort highlights the importance of remembering and valuing cinematic history.

EATER’S COOKBOOK OF THE YEAR From the Michelin-starred chef and Iron Chef America and Top Chef Masters contestant—a hilarious, self-deprecating, gorgeous new cookbook—the ultimate guide to cooking for one. With four-color illustrations by Julia Rothman throughout. The life of a chef can be a lonely one, with odd hours and late-night meals. But as a result, Anita Lo believes that cooking and dining for one can, and should, be blissful and empowering. In Solo, she gives us a guide to self-love through the best means possible—delicious food—in 101 accessible, contemporary, and sophisticated recipes that serve one. Drawn from her childhood, her years spent cooking around the world, and her extensive travels, these are globally inspired dishes from Lo’s own repertoire that cater to the home table. Think Steamed Seabass with Shiitakes; Smoky Eggplant and Scallion Frittata; Duck Bolognese; Chicken Pho; Slow Cooker Shortrib with Caramelized Endive; Broccoli Stem Slaw; Chicken Tagine with Couscous; and Peanut Butter Chocolate Pie—even a New England clambake for one. (Pssst! Want to share? Don’t worry, these recipes are easily multiplied!)