Elizabeth Little Knihy

Jenie Jenkinsová je prefíkaná, provokatívna celebritka. Pred desiatimi rokmi ju odsúdili za vraždu vlastnej matky, krásky z vyššej spoločnosti, ktorá vystriedala viacerých bohatých manželov a bola známa charitatívnou činnosťou. Keďže sa dodatočne zistí, že s dôkazovým materiálom sa v kriminalistickom laboratóriu manipulovalo, Jenie prepustia z väzenia. Pochybnosti však zostávajú, a tak si Janie za pomoci svojho právnika zmení identitu a rozhodne sa konať na vlastnú päsť. Stále ju však prenasleduje neistota, či skutočne nevraždila ona... Pátranie privedie Janie do malého mesta v Južnej Dakote. Nájde tam zopár priateľov, objaví viaceré stopy a pomaly z nich skladá nový obraz matky, ktorá pred dcérou tajila túto časť svojho života. Keď vyjdú na povrch isté okolnosti z Janinej minulosti, pochopí, že s matkou mali spoločné oveľa viac, ako si pripúšťala. Janie čoraz hlbšie preniká do matkinej, a teda aj svojej minulosti a zisťuje, že aj ospalé mestečko môže skrývať hrozivé tajomstvá. Už ju nič nezastaví, aby ich odkryla, a preto sa zapletie s miestnym šéfom polície Leom. Zároveň sa však musí skrývať pred novinármi, ktorí ju prenasledujú, pred políciou a možno aj pred vrahom. Musí sa rozhodnúť medzi zachovaním vytúženej anonymity a odhalením pravdy, čo sa stalo v ten večer, keď zomrela jej matka.

The book explores the intriguing intersection of language and culture, highlighting the humorous and often perplexing translations that arise when adapting brands for different markets. It delves into the story of how Chinese shopkeepers attempted to create a written equivalent for Coca-Cola, leading to the amusing literal translation of "bite the wax tadpole." This incident serves as a lens through which the complexities of translation and cultural nuances are examined, offering insights into the challenges of global branding.

"Former 'It Girl' Janie Jenkins is sly, stunning, and fresh out of prison. Ten years ago, at the height of her fame, she was incarcerated for the murder of her mother, a high-society beauty known for her good works and rich husbands. Now, released on a technicality, Janie makes herself over and goes undercover, determined to chase down the one lead she has on her mother's killer. The only problem? Janie doesn't know if she's the killer she's looking for."--Page 4 of cover

Marissa Dahl, a shy but successful film editor, travels to a small island off the coast of Delaware to work with the legendary - and legendarily demanding - director Tony Rees on a feature film with a familiar logline. Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself. The only problem is, the killer may still be on the loose. And he might not be finished.

Exploring the intersection of (post)feminism and girlhood, this book analyzes how young adult fantasy literature shapes the identities and experiences of young readers. It delves into the critical themes present in popular texts, highlighting their impact on contemporary understandings of femininity and empowerment. By examining these narratives, the work contributes to the broader discourse on gender and adolescence, making it a valuable resource for educators, scholars, and anyone interested in the evolving landscape of young adult literature.