Charles Dudley Warner Knihy

"Pozlacený věk" má v tvorbě klasického mistra americké satiry Marka Twaina zvláštní místo. Není to Twainova práce samostatná: tento román napsal ve spolupráci s přítelem Charlesem Dudleym Warnerem a snad i na jeho námět. Látka sama však ho tak zaujala, že kniha, zejména v pasážích sžíravé persiflujících "politický život" Washingtonu, nese neomylnou pečeť geniálního satirika. V Rámci pestrého děje, v němž se do paměti čtenáře zejména vryjí rázovité twainovské postavy, jako je např. bodrý tlučhuba "plukovník" Sellers nebo cynický politický hochštapler senátor Dilworthy, je zachyceno údobí po válce Severu proti Jihu, kdy padly poslední překážky kapitalistické "podnikavosti", a korupce, velkorysé podvody, kuloárové pikle a bezohledné okrádání státu se rozmohlo měrou do té doby netušenou. Román, který byl také s úspěchem dramatizován, byl ve své době tak populární, ž ejeho titul se vžil jako označení celé poválečné epochy. Čtenář bez potíží pozná, že mnohé z nepravostí, které v díle Twain zkarikoval a odsoudil, existují v americkém politickém životě dodnes,i když se snad halí do rafinovanějších roušek, než bylo křiklavé pozlátko svatouškovských frází z druhé poloviny devatenáctého století.

Reflective sketches highlight Warner's keen observations and humor, showcasing his experiences in gardening and nature. Originally published in The Hartford Courant, these pieces gained popularity for their refined wit and personal charm. Warner, a notable essayist and friend of Mark Twain, engaged in various social causes and held significant leadership roles in cultural organizations. His writing reflects a deep appreciation for the beauty of everyday life, making his work both entertaining and thought-provoking.

Reflective sketches in this collection showcase the author's keen observations of nature and daily life, infused with humor and personal charm. Originally published in The Hartford Courant, these essays highlight Warner's literary finesse and ability to engage readers with his mellow, refined style. His passion for public welfare and reform also resonates throughout his work, reflecting his broader interests beyond writing. Warner's unique voice and perspective make this a delightful exploration of both the garden and the human experience.

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The essays in this collection showcase Charles Dudley Warner's sharp observations and wit across various topics, including literature, travel, nature, and social commentary. Warner's unique voice and insightful reflections create an engaging exploration of the human experience, blending humor with profound insights. The conversational tone invites readers into his contemplative journey, highlighting the complexities of life and society. Warner's literary craftsmanship makes this work a timeless reflection on the human condition, appealing to those who appreciate thoughtful discourse.

This book is a reproduction of an original historical work, produced by Megali, a publishing house dedicated to making literature accessible for individuals with impaired vision through large print editions.

Charles Dudley Warner (1829-1900) was an American essayist and novelist. He worked with a surveying party in Missouri; studied law at the University of Pennsylvania; practiced in Chicago; was assistant editor (1860) and editor (1861-1867) of The Hartford Press, and after The Press was merged into The Hartford Courant, was co-editor with Joseph R Hawley; in 1884 he joined the editorial staff of Harper's Magazine, for which he conducted The Editors Drawer until 1892, when he took charge of The Editor's Study. He travelled widely, lectured frequently, and was actively interested in prison reform, city park supervision, and other movements for the public good. He was the first president of the National Institute of Arts and Letters. He first attracted attention by the reflective sketches entitled My Summer in a Garden (1870). Amongst his other works are Saunterings (1872), Backlog Studies (1873), Being a Boy (1878), In the Wilderness (1878), Captain John Smith (1881), Washington Irving (1881), A Little Journey in the World (1889), As We Were Saying (1891) and That Fortune (1899).

This publication focuses on reproducing historical works in large print, catering specifically to individuals with impaired vision. The publishing house Megali is dedicated to making these texts more accessible, ensuring that important historical literature can be enjoyed by a wider audience.

Focusing on accessibility, this publication from Megali is a large print reproduction of a historical work, designed specifically for individuals with impaired vision. The aim is to enhance readability and ensure that important historical texts remain available to a wider audience.