Edwin Muir Poradie kníh (chronologicky)

Obraz modernej doby videný očami dospievajúceho chlapca je strhujúcim dielom, v ktorom Franz Kafka brilantnou umeleckou formou rozvinul pocit ohrozenia obyčajného človeka odľudštenými spoločenskými vzťahmi. Obavy a úzkosť z modernej doby sú v jeho podaní rovnako aktuálne ako v čase vzniku románu. Cez pološero dlhých tieňov a rôznych interpretácií presvitá autor, ktorý dokázal s humorom hľadieť do tváre formujúceho sa nového sveta. Kafka bol výnimočným pozorovateľom, ale aj majstrom grotesky, aranžovania a predvádzania situácií, ktoré bez zbytočného psychologizovania mieria priamo do srdca príbehu. Vydanie: 1. slovenské vyd. Z nemeckého originálu preložila Perla Bžochová Esej "Kastrující stín svatého Garty" napísal Milan Kundera

This collection of new translations brings together the small proportion of Kafka's works that he himself thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America and a fascinating occasional piece, and The Aeroplanes at Brescia, Kafka's eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.

Dejová línia prózy udržiava čitateľa v neustálom napätí a neistote. Veď akoby ste sa cítili, keby vás, tak ako protagonistu Jozefa K., v jedno ráno zobudili neznámi muži a odviedli nasledujúci deň na výsluch? V prípade Jozefa K. však nejde o nijaký žart, stáva sa súčasťou súdneho procesu, v ktorom figuruje ako obvinený.

With his epic trilogy, The Sleepwalkers , Hermann Broch established himself as one of the great innovators of modern literature, a visionary writer-philosopher the equal of James Joyce, Thomas Mann, or Robert Musil. Even as he grounded his narratives in the intimate daily life of Germany, Broch was identifying the oceanic changes that would shortly sweep that life into the abyss. Whether he is writing about a neurotic army officer (The Romantic) , a disgruntled bookkeeper and would-be assassin (The Anarchist) , or an opportunistic war-deserter (The Realist) , Broch immerses himself in the twists of his characters' psyches, and at the same time soars above them, to produce a prophetic portrait of a world tormented by its loss of faith, morals, and reason.

From his sheltered childhood in Orkney to the turmoil of industrial Glasgow, Edwin Muir was witness to some of the most traumatic years and events of our modern age. And yet, in his life and in his art, he was constantly haunted by the symbolic 'fable' which he longed to find beneath the surface reality of the everyday. From his dream notebooks to his travels in Eastern Europe, Muir paints an unforgettable picture of the slow and sometimes painful growth of a poet's sensibility as he comes to terms with his own nature amidst the terror and confusion of the twentieth century.

Franz Kafka's enigmatic, deadpan, and deeply pessimistic stories are central to literary modernism. In 'The Metamorphosis', the estrangement of everyday life becomes corporealized when Gregor Samsa wakes up as a giant bug and wonders how he is going to get to work on time. Kafka inverts the implied degradation of a man's transformation into an animal in 'A Report of the Academy', an ape's address to a group of scientists.