Kirsty Logan Poradie kníh

Exploring the darker facets of love, this collection features women grappling with desire's complexities across various settings, from medieval times to the 1990s. Stories include an expectant mother feeding raw meat to wasps, sapphic lovers using ghost possession for financial gain, and a woman who finds her love for her husband deepens after his death. With a blend of humor and atmospheric tension, these tales promise to captivate and provoke thought, showcasing the author's mastery of the short story form.

An unconventional, unexpectedly funny, brutally honest memoir about infertility, pregnancy and motherhood

She dug her mother's grave in the poison garden so it would stay hidden... From the snowy winter woods to the bright midnight sun; from lost and powerless to finding your path, Now She is Witch conjures a world of violence and beauty - a world where women grasp at power through witchcraft, sexuality and performance, and most of all through throwing each other to the wolves.Lux has lost everything when Else finds her, alone in the woods. Her family, her lover, her home - all burned. The world is suspicious of women like her. But Lux is cunning; she knows how to exploit people's expectations, how to blend into the background. And she knows a lot about poisons.Else has not found Lux by accident. She needs her help to seek revenge against the man who wronged her, and together they pursue him north. But on their hunt they will uncover dark secrets that entangle them with dangerous adversaries.

'Gripping . . . You won't put it down' Sunday Telegraph A shocking collection of dark stories, ranging from chilling contemporary fairytales to disturbing supernatural fiction. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child's day out is undercut by chilling footnotes. These dark tales explore women's fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. 'A brilliant collection of stories . . . All will burrow their way into your brain and not let go' Stylist 'Shimmers with menace . . . Fans of Angela Carter and Shirley Jackson take note' i Newspaper KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

Hometown Tales: Celebrating regional voices Two intimate and compelling accounts of life in Glasgow

The best lives leave a mark.' A bewitching tale of first love, shattering grief, and the dangerous magic that draws us home. Mara's island is one of stories and magic, but every story ends in the same way. She will finish her days on the cliff, turned to stone and gazing out at the horizon like all the islanders before her. Mara's parents - a boxer and a ballerina - chose this enchanted place as a refuge from the turbulence of their previous lives; they wanted to bring up their children somewhere special and safe. But the island and the sea don't care what people want, and when they claim a price from her family, Mara's world unravels. It takes the arrival of Pearl, mysterious and irresistible, to light a spark in Mara again, and allow her to consider a different story for herself. The Gloamingis a gorgeous tale of love and grief, and the gap between fairy tales and real life.

In their tiny, sea-beaten cottage on the north coast of Scotland, Liska and Ruth await the birth of their first child. Each passes the time by telling the baby stories, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But they must keep their storytelling a secret from one another, as they've agreed to only ever tell the plain truth. So to cloak their tales, Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window.

A flooded world. A floating circus. Two women in search of a home. North lives on a circus boat with her beloved bear, keeping a secret that could capsize her life. Callanish lives alone in her house in the middle of the ocean, tending the graves of those who die at sea. As penance for a terrible mistake, she has become a gracekeeper. A chance meeting between the two draws them magnetically to one another - and to the promise of a new life. But the waters are treacherous, and the tide is against them. 'The Gracekeepers is enchanting and heart-tugging. If you love Margaret Atwood youâe(tm)ll love this' Sunday Telegraph 'A wondrous read' Stylist 'Clever and original' The Times 'Truly magical' Heat

Twenty tales of lust and loss. These stories feature clockwork hearts, lascivious queens, paper men, island circuses, and a flooded world; some are radical retellings of classic stories, some are modern-day fables, but all explore substitutions for love.