Barbara Vine Poradie kníh (chronologicky)

From “the most brilliant mystery writer of our time" (Patricia Cornwell), The Child’s Child is a thriller, set in London, about a brother and sister involved with the same man.When 30-something Grace and her brother Andrew inherit their grandmother's house in London they decide to move in together. They’ve always gotten on well and the house is large enough to split down the middle. Yet when Andrew's partner James moves in, the balance is altered – with almost fatal consequences.A master of psychological suspense, Barbara Vine takes us where violence and social taboos collide. She shows how society's treatment of those it once considered undesirable has changed – and how sometimes it hasn't.

A love affair is flourishing between Ivor Tesham and Hebe Furnal. What excitement Hebe lacks at home is compensated for by the well-bred and attractive Tesham. On the eve of her twenty-eighth birthday, Tesham decides to give Hebe a present to remember: something far more memorable than the costly string of pearls he's already lavished upon her.

From the author Time magazine calls “the best mystery writer in the English-speaking world,” comes an elegant and gripping new novel that blurs the line between psychological suspense and Gothic horror. Kerstin Krist arrives at the vine-covered Lydstep Old Hall in rural Essex to care for John Cosway, a former mathematical genius, who has been diagnosed with schizophrenia and kept under heavy sedation. John is the sole heir of the immense Cosway estate. As he takes his daily walks or sits quivering in a labyrinthine library, the rest of the family plots their own ways of coming into the fortune. It is classic Barbara Vine–an absolutely enthralling tale that keeps turning and twisting until the very last page.

Kirstin Kvist is 24 wanneer ze Zweden verlaat om in Engeland te gaan werken. Via haar vriend komt ze terecht op Lydstep Old Hall, een oud, verwaarloosd landhuis in Essex. Daar gaat ze zorgen voor John, een veertigjarige schizofrene man. Al bij aankomst beseft Kirstin dat ze in een ongewone familie is beland. Johns familieleden gunnen elkaar het licht in de ogen niet. Het enige wat hen bij elkaar houdt, is zijn geld. Wanneer een van zijn zussen een relatie krijgt met een kunstschilder uit het dorp, is dat de aanzet tot een reeks gruwelijke gebeurtenissen. Het noodlot lijkt onafwendbaar…

Sie waren Papas ein und alles, aber sie hatten keine Ahnung, wer Papa in Wirklichkeit war. Die älteste Tochter Sarah beginnt, die Lebensgeschichte des verstorbenen Vaters zu schreiben. Sarah taucht ein in die Untiefen eines Lebens, das wie das Meer an der Küste von Devonshire, an der der Familiensitz liegt, morsche Bruchstücke freigibt. Zum Vorschein kommen beängstigende Details eines Doppellebens.

Tim Cornish, a creative writing student, sits composing a confession: an admission of a crime committed two years ago that has yet to be discovered. It began when he first encountered Ivo, a magnetic man, older than himself, and felt compelled to kiss him. By the time they travel together to Alaska's glacial wastes, Tim has fallen in and out of love with Ivo; his real passion is now only for Isabel whom he has met in Ivo's absence. The horror of Tim's subsequent journey with Ivo, battling with disgust and despair, may andure in his memory for ever

A crime mystery based around the London Underground and the people frequenting it

In the long hot summer of 1976, a group of young people are camping in Wyvis Hall. Adam, Rufus, Shiva, Vivien and Zosie hardly ask why they are there, what they are doing or how they are to live; they scavenge, steal and sell the family heirlooms. Ten years later, the bodies of a woman and a child are discovered in the Hall's animal cemetery.

When Sandor snatched little Joe from the path of a London Tube train, he was quick to make clear the terms of the rescue. 'I saved your life,' he told the homeless youngster, 'so your life belongs to me now'. Sandor began to tell him a fairy-tale: an ageing prince, a kidnapped princess chained by one ankle, a missed rendezvous.

'In a masterly and hypnotic synthesis of past, present and terrifying future, Vine casts a stone into her dark pond and lets the ripples spread . . . she has created a work that is both compelling and disturbing'. Sunday Times. 'This is the third psychological thriller by Ruth Rendell writing as Barbara Vine and when I say it surpasses the first two that's really saying something . . . Vine has not only produced a quietly smouldering suspense novel but also presents an accurately atmospheric portrayal of London in the heady 60's. Literally unputdownable'. Time Out.