Krásná a smrtelně nebezpečná Nataša Romanoffová alias Black Widow je jednou z nejlepších špionek na světě. Uvnitř této knihy odhalíme její první ikonické komiksové momenty. Black Widow odešla ze světa špionáže, avšak její minulost ji dožene, když se na ni někdo pokusí spáchat atentát. Nataša se noří hlouběji do pavučiny mezinárodních vražd a objevuje duchy z minulosti a ukrytá tajemství, co navždy změní způsob, jakým přemýšlela o svém původu.
MAJOR NEW NETFLIX SERIES This must-read story is a confident, action-and-violence packed thriller, and future classic noir SF novel from a multi-award-winning author. Four hundred years from now mankind is strung out across a region of interstellar space inherited from an ancient civilization discovered on Mars. The colonies are linked together by the occasional sublight colony ship voyages and hyperspatial data-casting. Human consciousness is digitally freighted between the stars and downloaded into bodies as a matter of course. But some things never change. So when ex-envoy, now-convict Takeshi Kovacs has his consciousness and skills downloaded into the body of a nicotine-addicted ex-thug and presented with a catch-22 offer, he really shouldn¿t be surprised. Contracted by a billionaire to discover who murdered his last body, Kovacs is drawn into a terrifying conspiracy that stretches across known space and to the very top of society.
One hundred years from now, and against all the odds, Earth has found a new stability; the political order has reached some sort of balance, and the new colony on Mars is growing. But the fraught years of the 21st century have left an uneasy legacy . . . Genetically engineered alpha males, designed to fight the century's wars have no wars to fight and are surplus to requirements. And a man bred and designed to fight is a dangerous man to have around in peacetime. Many of them have left for Mars but now one has come back and killed everyone else on the shuttle he returned in. Only one man, a genengineered ex-soldier himself, can hunt him down and so begins a frenetic man-hunt and a battle survival. And a search for the truth about what was really done with the world's last soldiers. BLACK MAN is an unstoppable SF thriller but it is also a novel about predjudice, about the ramifications of playing with our genetic blue-print. It is about our capacity for violence but more worrying, our capacity for deceit and corruption. This is another landmark of modern SF from one of its most exciting and commercial authors.
The extraordinary new novel from one of the brightest stars of British SF takes mankind to the brink of a terrifying secret.
This is high action, ideas driven noir SF of the highest order. Morgan has already established himself as an SF author of global significance. Takeshi Kovacs has come home. Home to Harlan's World. An ocean planet with only 5% of its landmass poking above the dangerous and unpredictable seas. Try and get above the weather in anything more sophisticated than a helicopter and the Martian orbital platforms will burn you out of the sky. And death doesn't just wait for you in the seas and the skies. On land, from the tropical beaches and swamps of Kossuth to the icy, machine-infested wastes of New Hokkaido the hard won gains of the Quellist revolution have been lost. The First Families, the corporations and the Yakuza have a stranglehold on everything. Embarked on a journey of implacable retribution for a lost love, Kovacs is blown off course and into a maelstrom of political intrigue and technological mystery as the ghosts of Harlan's World and his own violent past rise to claim their due. Quellcrist Falconer is back from the dead, they say, and hunting her down for the First Families is a savage young Envoy called Kovacs who's been in storage
A coup in Cambodia. Guns to Guatemala. For the men and women of Shorn Associates, opportunity is calling. In the superheated global village of the near future, big money is made by finding the right little war and supporting one side against the other–in exchange for a share of the spoils. To succeed, Shorn uses a new kind of corporate gladiator: sharp-suited, hard-driving gunslingers who operate armored vehicles and follow a Samurai code. And Chris Faulkner is just the man for the job. He fought his way out of London’s zone of destitution. And his kills are making him famous. But unlike his best friend and competitor at Shorn, Faulkner has a side that outsiders cannot see: the side his wife is trying to salvage, that another woman–a porn star turned TV news reporter–is trying to exploit. Steeped in blood, eyed by common criminals looking for a shot at fame, Faulkner is living on borrowed time. Until he’s given one last shot at getting out alive. . . .
The story follows Hakan Veil, a character fueled by anger and determination. As he navigates through conflicts and challenges, his quest for justice leads him into intense confrontations. The narrative promises high stakes and a gripping exploration of Veil's motivations, showcasing his resilience and the consequences of his wrath.
The book explores the harmonious relationship between poetry and watercolor, emphasizing their need for spontaneity and fluidity. It highlights how both mediums can evoke softness and ease, transforming into sharpness and precision when the creator seeks to direct the viewer's focus. This interplay between gentle and intense elements invites readers to appreciate the artistry in both language and visual expression.
Charting his unlikely route from humble beginnings on a tough Bridgend estate and working on building sites to the top of world rugby as a Grand Slam winner and Test Lion, Lee Byrne's frank and powerful autobiography lifts the lid on off-field rifts and sheds new light on one of the brightest talents to grace the Welsh game
Ringil Eskiath, scarred wielder of the kiriath-forged broadsword Ravensfriend, is a man on the run - from his past and the family who have disowned him, from the slave trade magnates of Trelayne who want him dead, and apparently from the dark gods themselves, who are taking an interest but making no more sense than they ever have.
