John Maxwell Coetzee Knihy

David je malý chlapec, ktorý pricestoval na lodi cez oceán do novej krajiny. Bol oddelený od svojich rodičov a stratil drahocenný kúsok papiera, ktorý by vysvetlil jeho pôvod aj cieľ. Na lodi sa ho ujme muž menom Simón. Po príchode dostanú nové mená, nové dátumy narodenia a identitu. Nevedia nič o zvykoch novej krajiny. Rozprávajú len trochu španielsky, jazykom, ktorým sa tu hovorí. Sú ľuďmi bez minulosti. Simón chce nájsť chlapcovu matku. Je presvedčený o tom, že keď ju zbadá, spozná ju. „Ale ak, čo ju nájdeme,“ pýta sa David, „prečo sme tu?“ Tento nádherný a prekvapivý príbeh je o detstve, o osude a o tom, aké je to byť vyhnancom. Ježišovo detstvo je román o záhade samotnej skúsenosti.

For decades the Magistrate has run the affairs of a tiny frontier settlement, ignoring the impending war between the barbarians and the Empire, whose servant he is. But when the interrogation experts arrive, he is jolted into sympathy with the victims and into a quixotic act of rebellion which lands him in prison, branded as an enemy of the state. Waiting for the Barbarians is an allegory of oppressor and oppressed. Not just a man living through a crisis of conscience in an obscure place in remote times, the Magistrate is an analogue of all men living in complicity with regimes that ignore justice and decency.

Set against the backdrop of apartheid, the narrative explores the complex emotions of a young boy navigating his relationships with his father, whom he despises, and his mother, whom he both adores and resents. Coetzee's evocative storytelling captures the themes of race, caste, and shame, intertwined with moments of bewildering humor. This poignant coming-of-age tale offers a profound reflection on identity and societal constraints, marking a significant addition to Coetzee's body of work.

A rich, funny, and deeply affecting autobiographical new novel from one of the world's greatest living writers.

A searing portrait of a young colonial in early 1960s London – from the two-time winner of the Booker Prize. Set against the background of the 1960s - Sharpeville, the Cuban missile crisis, Vietnam – Youth is a remarkable portrait of a consciousness, isolated and adrift, turning in on itself. The narrator of Youth, a student in the South Africa of the 1950s, studies mathematics, reads poetry, saves money, trying to ensure that when he escapes to the real world, wherever that may be, he will be prepared to experience life to its full intensity and transform it into art. Arriving in London, however, he finds neither poetry nor romance. Instead he succumbs to the monotony of life as a computer programmer, from which random, loveless affairs offer no relief. Devoid of inspiration, he stops writing. An awkward colonial, a constitutional outsider, he begins a dark pilgrimage in which he is continually tested and continually found wanting.

Coetzee here tells the story of a handicapped young man who has worked as a municipal gardener in Cape Town. His mother is dying, and she wishes to return to her birthplace out in the veldt. Without the required transit passes, mother and son set out on a journey that will end in death for her and in a new but temporary life on an abandoned farm for him. His respite in isolation and peace does not last long, however; grotesque reality soon returns to trouble this quiet new world. Against the solitude of this private drama, Coetzee paints an eloquent and pained picture of his homeland and of the bureaucrats, doctors, army deserters, and camp guards who reveal the stress and qualms of their existence and who uneasily sense that there is no conclusion to their troubles and no future for their lives.

When discovered by the college authorities, he is expected to apologise and repent in an effort to save his job, but he refuses to become a scapegoat in what he see as as a show trial designed to reinforce a stringent political correctness.

It is, quite simply, a magnificent and unforgettable work Daily Telegraph

A famous writer is commissioned to contribute to a book of essays called Strong Opinions when he meets a young woman who lives in his apartment tower. He asks her to become his . . . In the laundry room of her apartment block a young woman makes the acquaintance of an ageing writer. She agrees to type up his opinions, although she is aware that what he really desires . . . The young woman's boyfriend starts to spy on his neighbour and hatches a jealous plot to . . . J. M. Coetzee's Diary of a Bad Year was shortlisted for the 2008 NSW Premier's Literary Award, Christina Stead Prize for Fiction, and was shortlisted for the Award for Fiction and Award for Innovation at the 2008 SA Festival Awards for Literature. It is an extraordinary and utterly original novel about loneliness, friendship and the possibility of love. Diary of a Bad Year takes the reader from Australian democracy to Guantanamo Bay, from the meaning of dishonour to the creative truth of dreams. Written in a wholly innovative form for three simultaneous voices, Diary of a Bad Year is enthralling, unexpected and deeply moving.

Hrdinka kruté a vášnivé novely, dcera majitele zapadlé farmy v Jižní Africe, pozoruje a komentuje život, z něhož jako by ji osud nadobro vyloučil. Její necitelný otec ji přehlíží, služebnictvo se jí bojí, ale současně jí pohrdá. Tato hořce moudrá, vzdělaná, inteligentní žena však svou zdánlivou pokorou a poddajností zastírá svoje zoufalé odhodlání nestát se jednou ze „ztracených pro historii“. Když si její otec najde africkou milenku, vrhne se zběsile do přípravy pomsty – jako by šlo o prazvláštní chemickou reakci mezi kolonizátorem a kolonizovaným – a mezi evropskými tužbami a rozlehlostí a osamělostí Afriky. Horečnatá, faulknerovsky hutná próza je silné, přesvědčivé dílo. J. M. Coetzee se v ní hluboce vcítil do své ústřední postavy a s jistotou přetvořil rodinný příběh v zrcadlo koloniální zkušenosti.