Michael Frayn Knihy

An unlikely con man wagers wife, wealth, and sanity in pursuit of an elusive Old Master. Invited to dinner by the boorish local landowner, Martin Clay, an easily distracted philosopher, and his art-historian wife are asked to assess three dusty paintings blocking the draught from the chimney. But hiding beneath the soot is nothing less-Martin believes-than a lost work by Bruegel. So begins a hilarious trail of lies and concealments, desperate schemes and soaring hopes as Martin, betting all that he owns and much that he doesn't, embarks on a quest to prove his hunch, win his wife over, and separate the painting from its owner. In Headlong, Michael Frayn, "the master of what is seriously funny" (Anthony Burgess), offers a procession of superbly realized characters, from the country squire gone to seed to his giddy, oversexed young wife. All are burdened by human muddle and human cravings; all are searching for a moral compass as they grapple with greed, folly, and desire. And at the heart of the clamor is Breugel's vision, its dark tones warning of the real risks of temptation and obsession. With this new novel, Michael Frayn has given us entertainment of the highest order. Supremely wise and wickedly funny, Headlong elevates Frayn into the front rank of contemporary novelists.

Longlisted for the Man Booker Prize, a story of mislaid identity, misdirected passion and miscalculated consequences.

Book by Junior Michael Ray, Corinne Joy Brown

Featuring a diverse array of short sketches and monologues, this collection is a vital resource for actors. With a focus on comedic pieces, it serves as an excellent tool for both classes and auditions, showcasing the author's wit and theatrical expertise. Ideal for honing performance skills, this compilation is a must-have for aspiring and experienced performers alike.

Slapstick comedy about a group of second-rate actors rehearsing a Broadway-bound play. When they finally get their performances right, everything else starts going wrong.

Called the funniest farce ever written, Noises Off presents a manic menagerie as a cast of itinerant actors rehearsing a flop called Nothing's On. Doors slamming, on and offstage intrigue, and an errant herring all figure in the plot of this hilarious and classically comic play. "The play opens with a touring company dress-rehearsing Nothing On, a conventional farce. Mixing mockery and homage, Frayn heaps into this play-within-a-play a hilarious mel�e of stock characters and situations.

'An unknown place.' This was what Michael Frayn's children called the shadowy landscape of the past from which their family had emerged.

John Garrard is a successful manufacturer who is driven by a compulsion to use and consume the world and the people around him. He is briefly intensely curious about everything he comes across, particularly other people's worlds: their religious beliefs, their sexual and artistic yearnings and their feelings about him. During one climactic night amid the hectic activities of a trade fair in Germany, it looks as if he will be forced to turn his sharp eyes upon himself and come face to face at last with silence and darkness.|2 women, 11 men

Stage Directions covers half a lifetime and the whole range of Frayn's theatrical writing, right up to a new piece about his latest play, Afterlife. It is also a reflection on his path into theatre: the 'doubtful beginnings' of his childhood, his subsequent scorn as a young man and, surprisingly late in life, his reluctant conversion.