Gary Shteyngart je americký autor, ktorého satirické diela sa často odohrávajú vo fiktívnych, no napriek tomu známych svetoch. Jeho humor preniká do zložitostí identity a postavenia v spoločnosti, skúmajúc stret kultúr a osobných túžob. Prostredníctvom brilantne vykreslených postáv a živého jazyka oživuje svoje príbehy s ostrým pozorovateľským okom. Jeho písanie je charakteristické jedinečnou zmesou horkosladkého humoru a hlbokého porozumenia ľudskej povahy.
Russian immigrant Vladimir Girshkin finds himself returning to the Russian city of Prave where he becomes involved in a pyramid scheme to defraud his friends in the American ex-pat community
The brilliantly inventive, wildly funny and humane new novel, set in an economically and politically collapsed America, by the author of the bestselling Absurdistan.
"The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of twenty-first-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage provide him pride of place in the newly forming American political order; and, above all, the young Vera, half-Jewish, half-Korean, and wholly original. Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in life: to make a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world"--
A candid and poignant story of a Soviet family's trials and tribulations, and of their escape in 1979 to the consumerist promised land of the USA.
An unforgettable road trip through an America that's ominously divided, wildly diverse, and weirdly familiar. Gary Shteyngart writes with brutal honesty, virtuoso wit, and stubborn compassion for his deeply flawed but still somehow lovable characters Tom Perrotta, bestselling author of 'The Leftovers'
True Stories of Breakups, Bad Relationships, and Broken Hearts
From Junot Díaz, Lynda Barry, Gary Shteyngart, and Kate Christensen to popular up-and-comers like Dan Kennedy, Wendy McClure, and Brock Clarke, Love Is a Four-Letter Word is a dead-on contemporary collection of true stories of seduction, heartbreak, and regret. Fearlessly revealing their shattered hearts and crushed egos; their indiscretions and indignities; their delusions, desperation, and disappointments, these talented writers capture the dark side of love in prose ranging from comic to poetic, poignant to cringe-inducing. Also featuring three cartoon/ graphic essays as a sixteen-page color insert, this anthology is perfect for anyone who's ever loved and lost.
A hilarious and poignant satire of post-Soviet life from one of America's most outstanding young novelists.
Eight friends, one country house, four romances, and six months in isolation-a novel about love, friendship, family, and betrayal, a book that reads like a great Russian novel, or Chekhov on the Hudson, by a novelist The New York Times calls 'one of his generation's most original writers'.
Or Twelve Stories Appearing in Up to Six Versions Each - Eighteen Languages: English, French, Czech, Dutch, German, Hungarian, Icelandic, Italian, Korean, Latin, Polish, Portuguese, Russian, Spanish, Swedish, Turkish
With the help of guest editor Adam Thirlwell (author of Kapow!, Visual Editions), Issue 42 is a monumental experiment in translated literature—twelve stories taken through six translators apiece, weaving into English and then back out again, gaining new twists and textures each time, just as you'd expect a Kierkegaard story brought into English by Clancy Martin and then sent into Dutch by Cees Nooteboom before being made into English again by J. M. Coetzee to do. With original texts by Kafka and Kharms and Kenji Miyazawa, and translations by Lydia Davis and David Mitchell and Zadie Smith (along with others by John Banville and Tom McCarthy and Javier Marías, and even more by Shteyngart and Eugenides and A. S. Byatt), this will be an issue unlike anything you've seen before—altered, echoing narratives in the hands of the finest writers of our time, brought to you in a book that looks like nothing else we’ve ever done.
