Kamila Shamsie Poradie kníh (chronologicky)

A teenager discovers her father only brought her from Pakistan to England because he was being haunted by the spirit of her late mother...A divorcee blunders into his ex-wife' s garden with one goal in mind: to beat his personal best for holding his breath underwater in her pool...A waitress finds herself serving an old school friend who once had a great impact on her but now doesn' t recognise her...The stories shortlisted for the 2023 BBC National Short Story Award reveal characters unmoored from their pasts and quite unable to find themselves in their new lives. Displacement, dislocation and a need to rekindle old identities lie at the heart of these tales: from the woman trying to bond with a refugee and her young son, to the mother struggling simultaneously with the traditional expectations of her Chinese in-laws and the dangers of online life, these stories are freighted with disconnection but buoyed with a desire to start afresh.

Imagine a world filled with fierce, fiery beings, hiding in our shadows, in our dreams, under our skins. Eavesdropping and exploring; savaging our bodies, saving our souls. They are monsters, saviours, victims, childhood friends. Some have called them genies: these are the Djinn. And they are everywhere.

'A profound novel about friendship. I loved it to pieces' MADELINE MILLER ** SHORTLISTED FOR THE INDIE BOOK AWARDS 2023 ** PICKED AS ONE OF THE SUNDAY TIMES' BEST PAPERBACKS OF 2023** CHOSEN AS A BOOK TO LOOK OUT FOR BY THE GUARDIAN, BBC, OBSERVER, DAILY MAIL, IRISH TIMES AND FINANCIAL TIMES ** Maryam and Zahra. In 1988 Karachi, two fourteen-year-old girls are a decade into their friendship, sharing in-jokes, secrets and a love for George Michael. As Pakistan's dictatorship falls and a woman comes to power, the world suddenly seems full of possibilities. Elated by the change in the air, they make a snap decision at a party. That night, everything goes wrong, and the two girls are powerless to change the outcome. Zahra and Maryam. In present-day London, two influential women remain bound together by loyalties, disloyalties, and the memory of that night, which echoes through the present in unexpected ways. Now both have power; and both have very different ideas of how to wield it... Their friendship has always felt unbreakable; can it be undone by one decision? 'An epic story that explores the ties of childhood friendship, the possibility of escape, the way the political world intrudes into the personal, all through the lens of two sharply drawn protagonists' Observer

In this retelling of 'The Ugly Duckling', Kamila Shamsie explores themes of identity, transformation, and belonging. The story follows a character who grapples with feelings of isolation and the desire for acceptance, ultimately discovering their true self amidst societal expectations. Shamsie's narrative adds depth to the classic tale, infusing it with contemporary relevance and emotional resonance, making it a poignant reflection on the journey of self-discovery and the challenges of fitting in.

Napínavý príbeh prisťahovaleckej rodiny, ktorej rozhodnutie medzi láskou a vernosťou má zdrvujúce následky. Isma je voľná. Po rokoch starostlivosti o mladších súrodencov po matkinej smrti prijala pozvanie svojej mentorky z Ameriky a vracia sa k svojmu snu o štúdiu. Nedokáže sa však prestať strachovať o svoju nádhernú, tvrdohlavú sestru Aneeku, žijúcu v Londýne, a o brata Parvaiza, ktorý zmizol snažiac sa dokázať, že nezabudol na dedičstvo svojho džihádistického otca, hoci ho nikdy nestretol. Keď sa brat objaví na druhom konci sveta, Ismine najhoršie predtuchy sa naplnia. Vtedy do života sestier vstupuje Eamonn. Syn mocného politika s povinnosťou dostáť otcovskému odkazu. Možno uňho hľadať lásku? Môže im pomôcť zachrániť Parvaiza? Osudy dvoch rodín sa náhle a nerozlučne preplietajú v príbehu o obetách, ktoré sme schopní priniesť v mene lásky.

A new anthology project from renowned and beloved literary critic John Freeman, Freeman's: Arrival collects never-before-published writing from some of the best-known authors working today, each contributing a piece on the theme of "Arrival." Contributors include Haruki Murakami, Louise Erdrich, Dave Eggers, David Mitchell, Elena Ferrante, Kamile Shamsie, Sjon, Colum McCann, Daniel Galera, Aleksandar Hemon, Ghassan Zaqtan, Etgar Keret, Anne Carson, Tahmima Anam, Helen Simpson, Ishion Hutchinson. Garnette Cadogan, Barry Lopez, Ben Huff, Fatin Abbas, Michael Salu, Honor Moore, Lydia Davis and Laura van den Berg, and a photo essay introduced by Barry Lopez. Freemans: Arrival is an essential addition to the library of anyone interested in the best of contemporary fiction.

BY THE WINNER OF THE WOMEN'S PRIZE FOR FICTION _______________ 'I can't recommend A God in Every Stone by Kamila Shamsie too strongly ... Exciting and, in the end, profoundly moving, this will solace you during the grimmest holiday' - Antonia Fraser, Guardian Summer Reading 'A magnificent novel: beautiful, terrible, true ... It reads already like a classic' - Ali Smith 'A moving story of love and betrayal, generosity and brutality, hope and injustice, full of characters that stay with you' - Financial Times _______________ Shortlisted for the Baileys Women's Prize for Fiction Summer, 1914. Young Englishwoman Vivian Rose Spencer is in an ancient land, about to discover the Temple of Zeus, the call of adventure, and love. Thousands of miles away a twenty-year-old Pathan, Qayyum Gul, is learning about brotherhood and loyalty in the British Indian army. Summer, 1915. Viv has been separated from the man she loves; Qayyum has lost an eye at Ypres. They meet on a train to Peshawar, unaware that a connection is about to be forged between their lives - one that will reveal itself fifteen years later when anti-colonial resistance, an ancient artefact and a mysterious woman will bring them together again.

Original stories from remarkable writers.

Two years after her prospects are shattered by the bombing of Nagasaki, Hiroko Tanaka travels to Delhi in search of new beginnings and arrives in the home of her ex-fiance's half-sister, but she finds her circumstances halted by conflicts in the Middle East that prompt her family's eventual relocation to America.

From Pakistan' s most acclaimed young writer.

Crib mates, raised together from birth, narrator Raheen and her best friend Karim dream each other's dreams, finish each other's sentences, speak in a language of anagrams. They share an idyllic childhood in upper-class Karachi with parents who are also best friends, even once engaged to the other until they rematched in what they jokingly call the fiancee swap. The night Karim's family migrates from Karachi to London, Raheen knows that some of my tears were his tears and some of his tears were mine. But as distance and adolescence split them apart, Karim takes refuge in the rationality of maps while Raheen searches for the secret behind her parents' exchange. What she uncovers takes us back two decades to reveal a story not just of a family's turbulent history but that of a country, and brings us forward to a grown-up Raheen and Karim drawn back to each other in the city that is their true home

_______________ 'Beautifully written in cunning, punning, glancing prose' - Independent 'A whirlwind ... Owes plenty to Salman Rushdie and some to Hollywood ... Exuberant, knowingly exotic and deceptively serious' - Guardian 'Kamila Shamsie has created a rich, bright world' - Times Literary Supplement _______________ BY THE ACCLAIMED WINNER OF THE WOMEN'S PRIZE FOR FICTION The Dard-e-Dils are characterised by their prominent clavicles and love of stories. Aliya may not have inherited her family's patrician looks, but she is prey to their legends that stretch back to the days of Timur Lang. There is a sting to most of these tales, for the Dard-e-Dils consider themselves cursed by their 'not-quite' twins. Amidst her growing attraction to a boy from the wrong side of the tracks, Aliya begins to believe that she is another 'not-quite' twin, linked to her scandalous aunt Mariam in a way that hardly bodes well... _______________ 'A funny, clever and romantic story' - Barbara Trapido 'The stories within the stories describe Pakistani society, its peoples and its mores, better than anything that has come from the Other Side for a long time. This is a good read' - India Today