Clifford Williams Poradie kníh

The exploration of loneliness and maladaptive behavior is central to this lyrical work, where magic and cleansing serve as metaphors for personal growth. The author reflects on his journey through young adulthood, delving into evolving philosophies regarding love and a sense of belonging. Through evocative verse, the narrative captures the complexities of human emotion and the transformative power of self-discovery.

Exploring the moral responsibility of White Christians regarding racial disparities, the author combines personal narratives with philosophical insights. He emphasizes the significance of the Golden Rule and the detrimental effects of racism on both individuals and communities. Through thought-provoking questions, he addresses the strong reactions to Black empowerment and the challenges of church integration in the U.S. Williams advocates for the cultivation of character traits essential for pursuing racial equity, offering a guide for White Christians to engage meaningfully in this critical issue.

The London Gay Teenage Group was a unique and ground-breaking youth group. It emerged in the heady days of the late 1970s and achieved registration as an official youth club catering mainly for gay and lesbian young people, at a time when gay male sex was still totally illegal for anyone aged under 21.

The book explores how personal needs, desires, and emotions contribute to one's faith in God, beyond just doctrines and rational arguments. Philosopher Clifford Williams addresses common objections to these experiential aspects, emphasizing their significance in both the initiation and sustenance of belief. By highlighting the interplay between personal experience and faith, the author presents a compelling case for a more inclusive understanding of what draws individuals to spirituality.

This book takes an interdisciplinary approach to explore the connections of lived realities - including boredom, trauma, denial of death, and suicidal impulses - to the meaning of life and belief in God. Williams describes both how to acquire meaning and obstacles to its acquisition.

Dans Autobiographie, le lecteur est entraîné par le rythme, ses sursauts et ses plages de calme apparent, se trouve pris dans un flux où la détresse, l'homosexualité, la hargne, le dégoût de vivre et les images d'un bonheur fuyant composent une fresque narrative d'une rare puissance d'évocation. Il en est de même avec le Conrad Detrez, thrène ou tombeau - à la manière de la Délie de Maurice Scève - où Cliff évoque une amitié sans nuages avec l'auteur de L'Herbe à brûler, prix Renaudot 1978, mort du sida en 1985. Là aussi, le rythme et la forme sont essentiels. Le tragique de l'existence du «héros» constitue le miroir idéal où l'auteur se découvre et se constitue. «La leçon de William Cliff puise sa force et sa cohérence dans la tradition baudelairienne, médiévale, romantique, latine (et j'en passe), vivifiée sans hiatus par des accents parfaitement maîtrisés. La présence de Cliff - du poète et de l'homme - s'affirme au-delà de toute allégeance. La vie de Cliff, c'est toujours sa poésie.» Jean-Claude Pirotte.

Vydání druhé. V noci sa mi snívalo, že som bola opäť v Manderley. Stála som tam pred mrežami hlavnej brány, ale nemohla som dovnútra, lebo bola zamknutá na retiazku s visacou zámkou. V sne som volala vrátnika, no nik sa neozval, keď som sa lepšie prizrela pomedzi zahrdzavené tyče, videla som, že vo vrátnici nik nebýva." Týmito slovami začína rozprávanie hlavnej hrdinky, ktorá sa na Francúzskej Riviére zaľúbila do príťažlivého a zámožného Angličana Maximiliana de Winter. Ľúbostný vzťah je zakrátko spečatený manželským sľubom

"Wild Oats" was first performed in 1789, and was rediscovered by the Royal Shakespeare Company and opened in 1976. It's a comedy, drawing from Shakespeare, Restoration and other bits of theatre to create an unforgettable experience