Blake Morrison je autor, ktorého dielo sa pohybuje na pomedzí fikcie, poézie a literárnej kritiky. Jeho štýl sa vyznačuje hlbokým vhľadom do ľudskej psychiky a precíznym jazykom, ktorý skúma zložité rodinné vzťahy a pamäť. Morrison sa zameriava na univerzálne témy straty, identity a hľadania zmyslu v osobných príbehoch. Jeho písanie je cenené pre svoju úprimnosť a literárne majstrovstvo.
The BP Portrait Award, now in its 24th year, is a popular fixture on the summer calendar, and is the leading showcase for young artists specializing in portraiture. The competit ion is open to artists from around the world and last year received a record number of over 800 entrants, all competing for the main prize of
First Edition, good quality hardcover, with unclipped dust jacket, mylar coated. DJ shows light edge creasing, and is heavily sunned; inside flap shows previous sticker and staining. Pageblock edges are slightly marked, significantly tanned, and this has leached through to the textblock. However, text is clean, no marginalia noted. CN
This work includes A.N. Wilson on 'The Gospel According to Matthew', Nick Cave on 'The Gospel According to Mark', Richard Holloway on 'The Gospel According to Luke', Blake Morrison on 'The Gospel According to John' and the King James Bible text of all four Gospels.
Agee's colleague at Time in the 1940s, John Hersey, writes a major evaluation of Agee's work and the Agee legend in a new introduction to this literary classic. 64 pages of photos.
Through its annual anthologies of New Writing the British Council launches many new authors and provides a shop window around the world in which vigorous new writing can be viewed. New Writing 12 is the new volume in this series, promoting the best in contemporary literature in the English language in Britain and internationally. It brings together some of the most formidable talents, placing new names alongside more established ones, includes extracts from novels in progress, non-fiction essays, short stories and poetry. Distinctive, innovative and entertaining, it is essential reading for all those interested in British writing today.
Through a series of letters from his parents' passionate World War II courtship, Morrison uncovers a startling, touching story. This follow-up to his critically acclaimed 1993 memoir paints the unforgettable picture of a quietly determined heroine and of a son's search to learn the truth about her.
A biography of the American poet Sylvia Plath which presents a different view of her life and death by shifting any blame away from Plath's husband, Ted Hughes, and suggesting the problems lay in her personality difficulties.
'Tender, vivid and achingly sad' GUARDIAN, BOOK OF THE YEAR TWO SISTERS
publishes on the 30th anniversary of Blake Morrison’s ground-breaking book
And When Did You Last See Your Father? which forged the way for a new genre of
confessional memoir.
Here is the first major collection since A. Alvarez's classic, The New Poetry, and like its controversial predecessor this anthology argues as well as illustrates. There has been no abrupt break with the past, the editors say, but there is unquestionably a new Spirit in poetry today: a shared interest in narrative, a pleasure in metaphor, a post-Modernist wit - and nerve. Charting these developments over the last two decades, the anthology opens with Seamus Heaney and includes several more poets from Ireland, alongside Douglas Dunn, Craig Raine, James Fenton, Anne Stevenson and others. It represents a flourishing Generation of poets and is altogether a brilliant new Landmark in anthologies of modern poetry.
Divided into 5 parts, this novel conjures up a comic and subtle undertow of political and personal disillusion, of mythologies and urban myths that circle round our apparently comfortable lives.
In the year 1400, in the city of Mainz, a man was born whose heretical invention was to change history. Sixty odd years later he died - bankrupt, robbed of his business, his printing presses, his good name and, so he thought, immortality. Reading between the lines of history, Blake Morrison has woven a stunning novel around the few facts that are known about the life and work of Johann Gensfleisch of Gutenberg, master printer, charmer, conman and visionary - the man who invented 'artifical writing', first printed a Latin grammar and then the 'Gutenberg' Bible, putting thousands of monks out of work. In a first novel that is dazzling in its artistry and delicacy, and pure enchantment for the reader, Morrison gives us Gutenberg's 'testament'. Gutenberg dictates his justification and apologia - ironically enough - to pretty young scribes, who have the power not only to reject an old man's advances but also to change his words, since with his failing eyesight he can barely read them. Through the words he puts into the mouth of this endearing, maddening, touching creation Morrison conjures up a noisy, colourful, plague-ridden fifteenth-century world in the rival cities of Mainz and Strasbourg, as well as in the wider European world beyond, from the flourishing cities of the Rhine to the lowland plains in the North.
From one of the most engaging and widely admired of the new generation of nature writers, here is a portrait of the British coastline from the Giant's Causeway to Land's End
Set over a long weekend, Blake Morrison's new novel is a taut, atmospheric, brilliantly chilling story of a rivalrous friendship - as told by Ian, the deceptively casual narrator. It opens with a surprise phone call from an old university friend, inviting Ian and his wife, Em, for a few days by the sea. Their hosts, Ollie and Daisy, are a glamorous couple. And the scene is set for sunlit relaxation and cheerful reminiscence. But dangerous tensions quickly emerge. In vivid, careful prose, Blake Morrison perfectly conveys the stifling atmosphere of a remote cottage in the hottest days of summer. Troubling revelations from Ian's past slowly intrude. And his rivalry with Ollie intensifies as they resurrect a seemingly forgotten bet made twenty years before. Each day becomes a series of challenges for higher and higher stakes, setting in motion actions that will have irreversible consequences. The Last Weekend is a beautifully crafted page-turner, where little can be taken for granted, and nothing is quite as it seems. It offers a dark, haunting tale of friendship, sexual passion and jealousy - and confirms Blake Morrison as one of Britain's most unpredictable and talented writers.