John Yeoman bol dlhé roky vedúcim katedry angličtiny na Francúzskom lýceu v Londýne. Jeho spolupráca s Quentinom Blakeom sa začala v roku 1960 a výsledkom je dlhý zoznam úspešných detských kníh, z ktorých mnohé skôr obľúbené tituly teraz Andersen Press znovu vydáva pre nové generácie čitateľov. Yeomanove príbehy často skúmajú témy priateľstva, dobrodružstva a objavovania sveta prostredníctvom hravého a vrelého jazyka. Jeho jedinečný štýl a nadčasové naratívy z neho robia dôležitú postavu v detskej literatúre.
The grumpy miller is having mouse trouble, so he buys himself a large tabby cat. Fortunately for the mice, the cat is too unfit to catch even a single mouse. But when the miller loses his temper and threatens to drown the poor tabby, the mice decide they must intervene, as they have grown surprisingly fond of him . . .
Old Mother Hubbard is fed up of her mischievous pup sitting about reading all day, so she suggests that he learn how to play. But then she hears the less than dulcet tones of the flute, the cello, the trombone, the violin and even the bagpipes! What a terrible din! Long-suffering Old Mother Hubbard is besieged by an onslaught of terrible noises! Whatever can she do?
Beatrice, the ewe, and Vanessa, the nanny-goat, have spent their whole lives chomping and nattering in the same field. One dull day they decide to go on holiday, only taking with them some balloons and something more surprising, both of which turn out to be very handy . . .
Meet fearsome alligators, clever coyotes, a jittery leopard, a shell-less tortoise and all sorts of amazing animals in these wonderful stories from John Yeoman and Quentin Blake.
Counting doesn't have to be boring with this wonderfully quirky counting book illustrated by the esteemed Quentin BlakeWhen Barnaby sets off on his raft, his mother tells him to stop at each village on the way to Limber Lea. Along the way he ends up collecting a wild and surprising bunch of passengers. Will he be able to transport them all to Limber Lea without any mishaps?
Twins Vicky and Bertie buy a horse at an auction, but this is no ordinary horse, this is a Young Performing Horse. He learns his sums at school with them and even performs alongside them in London when they set off to make their fortune on the stage. Is there no end to the Young Performing Horse's talents?
What about growing horns then? challenged Melanie. I will then! shouted Billy. Immediately he has taken up the challenge to grow horns Billy Dexter passionately wished that he hadn't, after all he could only fail. However, the next morning Billy's head feels itchy and then no doubt about it, there are bumps on the head. Within a week the boy has the most splendid head of antlers ever. Everyone gets used to them - Billy and his friends, his parents and even his teacher and the head but will the antlers stay for ever, or will Billy find a way to get rid of them? A charming and humorous story about the power of the mind and daring to be different.
'Look out, the wild washerwomen are coming!'Once upon a time there were seven unhappy washerwomen. Until along come seven woodcutters, eager to teach them a lesson. But perhaps the washerwomen will teach the woodcutters a thing or two instead, and everyone might just live happily ever after...
The first book done in partnership by John Yeoman and Quentin Blake, in a facsimile edition that will enchant young readers and adults alike Originally published in 1960, this classic tale from beloved author John Yeoman and renowned illustrator Quentin Blake is a collection of seven charming animal fables. It was the first children’s book published by either John Yeoman or Quentin Blake, who are still producing books in partnership today nearly sixty years later. This facsimile edition reproduces the original publication and features a new foreword by Quentin Blake. Young readers will adore the observant and logical monkey’s attempts to find a drink of water, as well the entertaining cast of animals featured in each story. The creative partnership between John Yeoman and Quentin Blake will be the subject of a retrospective exhibition at the House of Illustration in London opening October 6, 2017.
