Lydia Milletová je autorkou dvanástich beletristických diel, ktorej próza preniká do zložitosti medziľudských vzťahov a ekologických tém. Jej jedinečný štýl, ktorý často kombinuje hlbokú introspekciu s nevšedným humorom, skúma tenkú hranicu medzi civilizáciou a divočinou. Prostredníctvom svojich príbehov sa Milletová zaoberá naliehavými otázkami, ako je naše miesto v prírodnom svete a vnútorné životy tých, ktorých často prehliadame. Jej dielo, charakteristické brilantnou dikciou a premyslenou štruktúrou, ponúka čitateľom pútavejší pohľad na súčasnú spoločnosť a jej vzťah k prírodnému svetu.
Set in a post-pandemic America, the collection explores the lives of families, couples, and individuals navigating their complex interactions in a world filled with artificial beauty and modern distractions. The stories unfold in diverse settings, from tech-bro mansions to medieval role-playing festivals, revealing the characters' collisions, confessions, and conflicts. With a blend of humor and insight, the author examines how people fool themselves amidst the absurdities of contemporary life.
Roman
Shortlist National Book Award - ein hintergründiger Roman zur Klimakrise und dem Konflikt zwischen Boomer-Eltern und der nachfolgenden Generation. Die fünfzehnjährige Evie verbringt den Sommer mit ihrer Mittelschicht-Familie am Strand irgendwo an der Ostküste der USA. Ihre Eltern haben gemeinsam mit Freunden aus Collegezeiten ein geräumiges Sommerhaus gemietet. Während die Erwachsenen die Tage mit Alkohol, Drogen und Sex verbringen, sind ihre Kinder sich selbst überlassen und verwildern zusehends. Evie kümmert sich um ihren kleinen Bruder Jack. Er ist ein verträumter, intelligenter Junge, der sich Sorgen um die Umwelt macht und dem Tiere sehr am Herzen liegen. Von einer der Mütter hat Jack eine Kinderbibel bekommen, deren Geschichten er verschlingt und für bare Münze nimmt. Als ein verheerender Wirbelsturm aufzieht und sintflutartiger Regen alles zu zerstören droht, verlassen die Kinder das Haus, um inmitten des Chaos einen sicheren Ort zu finden. Sie schlagen ihr Lager auf einer Farm auf, wo es noch ausreichend Vorräte gibt, bis auch hier das Unheil zuschlägt. Doch am Ende werden sie es sein, die es schaffen, sich an die neue Umwelt anzupassen.
A personal evocation of the glory of nature, our vexed position in the animal kingdom and the difficulty of adoring what we destroy
The stunning new novel from the author of the National Book Award-finalist A Children's Bible
A Children’s Bible follows a group of twelve eerily mature children on a forced vacation with their families at a sprawling lakeside mansion. Contemptuous of their parents, the children decide to run away when a destructive storm descends on the summer estate, embarking on a dangerous foray into the apocalyptic chaos outside. Lydia Millet’s prophetic and heartbreaking story of generational divide offers a haunting vision of what awaits us on the far side of Revelation.
Lydia Millets chilling new novel is a double-edged and satisfying story with a strong female protagonist, a thrilling plot and a creeping sense of the apocalyptic, Sweet Lamb of Heaven builds to a shattering ending with profound implications for its charactersand for all of us.
The story follows Hal, an IRS bureaucrat, who is perplexed by his wife's fixation on her missing employer. In a drunken moment, he sets off on a surreal tropical adventure to locate the man, leading to an unexpected affair with a captivating German woman. Lydia Millet crafts a beautifully written narrative that explores themes of parenthood's emotional complexities and the quirks of human behavior, making for an engaging and insightful read.
Lions, rabbits, monkeys, pheasants—all have shared the spotlight and tabloid headlines with famous men and women. Sharon Stone’s husband’s run-in with a Komodo dragon, Thomas Edison’s filming of an elephant’s electrocution and David Hasselhoff’s dogwalker all find a home in Love in Infant Monkeys. At the rare intersections of wilderness and celebrity, Lydia Millet hilariously tweaks these unholy communions to run a stake through the heart of our fascination with pop icons and the culture of human self-worship.In much fiction, animals exist as author stand-ins—or even more reductively as symbols of good and evil. In Millet’s ruthless, lucid prose—each story based on a news item, biography, or other fact-based account of a celebrity-animal relationship—animals are as complex and rich as our imaginings of them. In these spiraling fictional riffs and flounces on real life, animals show up their humans as bloated with foolishness and yet curiously vulnerable—as in a tour-de-force, Kabbalah-infused interior monologue by Madonna after she shoots a pheasant on her English estate.
An only child in a typical middle-American family, T is unusual only in his interest in, and talent for, making money. But when events conspire to leave T isolated again he starts to lose faith in people and civilisation and turns to nature instead, developing a strange and powerful obsession with endangered animals...
Exploring themes of isolation and the mundane, the narrative follows Oppenheimer during his first day at a motel, where he becomes engrossed in television. His discovery of the remote and the mysterious telephone hints at a deeper exploration of technology and communication. The setting serves as a backdrop for introspection, reflecting on Oppenheimer's complex character and the weight of his historical legacy. The story intertwines personal experience with broader existential questions.