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Brendan Behan

    9. február 1923 – 20. marec 1964

    Brendan Behan bol írsky umelec, ktorého dielo sa vyznačuje surovým realizmom a silným sociálnym cítením. Svoje texty, písané v írčine aj angličtine, obohatil o silný jazykový cit a rytmus. V jeho tvorbe sa často odráža jeho vlastný životná skúsenosť a politické presvedčenie, ktoré ústí do silných sociálnych komentárov. Jeho štýl je osobitý, plný drsného humoru a hlbokej ľudskosti, čo z neho robí jedinečného autora.

    A Bit of a Writer
    Brendan Behan's Island
    The Hostage
    Confessions Of An Irish Rebel
    Borstal boy
    Môj zelený ostrov
    • Borstal boy

      • 372 stránok
      • 14 hodin čítania
      4,0(2413)Ohodnotiť

      The autobiography of Irish writer and poet Brendan Behan. It focuses on his life in reform school, following his arrest as an IRA activist.

      Borstal boy
    • Confessions Of An Irish Rebel

      • 259 stránok
      • 10 hodin čítania
      4,0(588)Ohodnotiť

      The immigration man read my deportation order, looked at it and handed it back to me. Not only is it the last instalment of a unique and unorthodox autobiography, but of a unique and unorthodox life that was as touched with genius as it was with doom.

      Confessions Of An Irish Rebel
    • An essential text in the development of modern British drama

      The Hostage
    • Brendan Behan's Island

      An Irish Sketchbook

      The late Brendan Behan captured the essence of Ireland in this compilation of Dublin talk, reminiscence, comment, verse and anecdote. The text is complemented by Paul Hogarth's drawings.

      Brendan Behan's Island
    • This edition gathers all the articles and essays that Behan published in newspapers from 1951 to his death in 1964.The articles reveal a serious writer capable of great comic set pieces and amusing yarns as well as thoughtful reflections on cultural and historical issues.

      A Bit of a Writer
    • After the Wake

      • 156 stránok
      • 6 hodin čítania

      Brendan Behan's genius was to strike a chord between critic and common man. When he died, at the age of 41, he was arguably the most celebrated Irish writer of the twentieth century. After the Wake is a collection of seven prose works and a series of articles. It includes all that exists of an unfinished novel, 'The Catacombs', and pieces together items whose comic and fanciful accounts evoke Flann O'Brien. Also featured are works of acknowledged excellence, 'The Confirmation Suit' and 'A Woman of No Standing'. This writing bears all the hallmarks of the author's talent - an ability to bring characters to life quickly and unforgettably, a sharp ear for dialogue and dialect, and a natural vocation for story-telling. This diverse collection is a delightful and entertaining windfall from one of Ireland's most colourful writers. An essential complement to Behan's master works.

      After the Wake
    • Great Irish Stories of Childhood

      • 271 stránok
      • 10 hodin čítania

      This collection looks at the years of innocence, the pains and pleasures of schooldays and the struggles of adolescence in stories by such writers as Seamus Heaney, Roddy Doyle, Flann O'Brien, William Trevor, Bryan MacMahon, Samuel Beckett, Neil Jordan, Sean O'Faolain, Edna O'Brien, Brian Friel, Maeve Binchy, Brendan Behan and many more.

      Great Irish Stories of Childhood
    • This volume contains everything Brendan Behan wrote in dramatic form in EnglishContains the three famous full-length plays: The Quare Fellow, set in an Irish prison ("In Brendan Behan's tremendous new play language is out on a spree, ribald, dauntless and spoiling for a fight ... with superb dramatic tact, the tragedy is concealed beneath layer after layer of rough comedy" Observer); The Hostage, set in a Dublin lodging-house of doubtful repute where a young English soldier is being kept prisoner, "shouts, sings, thunders and stamps with life...a masterpiece" (The Times); and Richard's Cork Leg, set in a graveyard, "a joyous celebration of life" (Guardian). The volume also contains three one-act plays, originally written for radio and all intensely autobiographical, Moving Out, A Garden Party and The Big House.

      The complete plays