Tento britský autor skúma hlboké spojenie medzi ľudstvom a prírodným svetom. Jeho dielo, silne ovplyvnené romantizmom a so zameraním na Shakespeara, sa vyznačuje prenikavým pohľadom na ľudskú dušu a jej miesto v ekosystéme. Prostredníctvom svojej kritickej a akademickej práce ponúka jedinečné interpretácie klasických textov a zároveň sa zaoberá naliehavými ekologickými otázkami. Jeho štýl je zároveň erudovaný aj prístupný, čo čitateľom umožňuje ponoriť sa do zložitých tém s novým porozumením.
The plays are presented as in the First Folio of 1623, with the addition of "Pericles" and variations which are agreed by the best Shakespearean critics. For the most part it is Delius's text that is followed.
Presents a fresh view of the early modern world through the eyes of Shakespeare, his players and audiences. This book illustrates the Catholic counterculture that is revealed through the failed Gunpowder Plot, which was later to prove the inspiration for Macbeth.
Myth and fact are not always easy to separate in Worcester's history; provoking a range of interesting, often quirky questions with even quirkier answers.Was there really a time when the College became a training-ground for Greek Orthodox clergy from Constantinople and Antioch? True, albeit only briefly.Was Lewis Carroll inspired to create the rabbit-hole in Alice, by seeing the tunnel into the gardens at the end of the main quad? Almost certainly false.Did wallabies once roam the College grounds? Yes. Did Rupert Murdoch put them there? No.This book is for anyone who wants to know why Worcester seems to create a special magic, for readers intrigued by a very unusual Oxford College, and for anyone interested in Worcester's people - from the architect and collector George Clarke, to the opium-eater Thomas de Quincey, to spymaster Masterman to the dons, the staff and the students who have enlivened the College in more recent times.It is a rich and colorful 'portrait' of the not an academic history, but an impression of the place, its people and its customs.
A dazzling new biography of Wordsworth's radical life as a thinker and poetical innovator, published to mark the 250th anniversary of his birth.
How did plague turn Shakespeare from a jobbing hack into a courtly poet? How did Bottom's dream rewrite the Bible? How did Shakespeare's plays lead to the deaths of an earl and a king? And why was he the one dramatist of his generation never to be imprisoned? This book helps you to understand what being Shakespeare was actually like.
'Enlightening, moving' SIR IAN MCKELLEN From the acclaimed and bestselling biographer Jonathan Bate, a luminous new exploration of Shakespeare and how his themes can untangle comedy and tragedy, learning and loving in our modern lives.
Renowned for his deep connection to nature and mythology, Ted Hughes's poetry explores themes of conservation, ecology, and the primal forces of the natural world. His evocative imagery often features fishing and wildlife set against moody landscapes, reflecting his profound understanding of the environment. As a significant figure in twentieth-century literature, Hughes's work resonates with readers who appreciate the interplay between humanity and the wild.
"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.
Bate presents an exhilarating, witty and original account of how Shakespeare has come to be accepted as the world genius of literature. He includes an attack on the nationalistic interpretation of Shakespeare
Azda na nijakého zo svojich hrdinov nenaložil Shakespespeare toľko utrpenia ako na kráľa Leara, ktorý – podobne ako kráľ zo slovenskej ľudovej rozprávky Soľ nad zlato – zavrhol svoju najmladšiu dcéru, hoci ho mala najradšej, a kruto sa sklamal v dvoch starších. Všetkých nás čaká posledný účet – každý z nás sa môže uvidieť v mohutnom zrkadle tejto tragédie. William Shakespeare (1564 – 1616) nebol len veľký dramatik – bude sa o ňom vždy hovoriť aj ako o najväčšom básnikovi divadla.
