Kip Wilson sa zameriava na písanie pre mladých dospelých, pričom svoje diela často čerpá z historických postáv a udalostí 20. storočia. Jej tvorba sa vyznačuje poetickým štýlom a silným zameraním na témy odvahy, odporu a hľadania pravdy tvárou v tvár útlaku. Wilsonová, s hlbokým záujmom o nemeckú literatúru a poéziu, vnáša do svojich diel akademickú hĺbku aj emocionálny dopad. Jej prístup je navrhnutý tak, aby zaujal a inšpiroval čitateľov prostredníctvom silných príbehov.
Disillusioned by the propaganda of Nazi Germany, Sophie Scholl, her brother, and his fellow soldiers formed the White Rose, a group that wrote and distributed anonymous letters criticising the Nazi regime and calling for action from their fellow German citizens.
A fascinating historical novel about Hilde, an orphan who experiences Berlin on the cusp of World War II as she discovers her own voice and sexuality, ultimately finding a family when she gets a job at a gay cabaret, by award-winning author Kip Wilson. On her eighteenth birthday, Hilde leaves her orphanage in 1930s Berlin, and heads out into the world to discover her place in it. But finding a job is hard, at least until she stumbles into Café Lila, a vibrant cabaret full of expressive customers. Rosa, one of the club’s waitresses and performers, immediately takes Hilde under her wing. As the café denizens slowly embrace Hilde, and she embraces them in turn, she discovers her voice and her own blossoming feelings for Rosa. But Berlin is in turmoil. Between the elections, protests in the streets, worsening antisemitism and anti-homosexual sentiment, and the beginning seeds of unrest in Café Lila itself, Hilde will have to decide what’s best for her future . . . and what it means to love a place on the cusp of war.
"Tells the story of Gerda Taro, a headstrong photojournalist with a passion for capturing the truth amid political turmoil and the first woman photojournalist killed in combat"--
Based on the works, letters and diaries of Rainer Maria Rilke, his attitude based on the interdependent nature of force and love, both human and divine, is clear. The specific works discussed, including Der Cornet, Malte, Der Schauende , and selected poems from the Duineser Elegien and Sonette an Orpheus provide the basis for discussion on the tie that binds these apparently opposite poles into a deeper theme important both to Rilke and to those who read his works: the relationship between recognition and awe of force and the fulfillment of acceptance gained when giving in to this force through love.