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Directing

Film Techniques and Aesthetics - Second Edition

Hodnotenie knihy

Viac o knihe

* A practical and comprehensive manual that dissolves the barriers between the aesthetic and the technical * Common sense theory of film derived from everyday perceptual experience. Directing: Film Techniques and Aesthetics, Second Edition is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for professionals with sights on the director's chair, Directing covers all stages of production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of control and goes to the heart of what makes a great director. All the 'how-to' information is unified by a theory that naturally links personal experience and vision to the director's decision making and stresses that understanding one's own emotional and perceptual processes is the key to individuality on the screen and to success with audiences.

Nákup knihy

Directing, Michael Rabiger

Jazyk
Rok vydania
1996
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Platobné metódy

4,3
Veľmi dobrá
236 Hodnotenie

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Titul
Directing
Podtitul
Film Techniques and Aesthetics - Second Edition
Jazyk
anglicky
Vydavateľ
Focal Press
Rok vydania
1996
Väzba
mäkká
Počet strán
512
ISBN10
0240802233
ISBN13
9780240802237
Série
Hodnotenie
4,25 z 5
Anotácia
* A practical and comprehensive manual that dissolves the barriers between the aesthetic and the technical * Common sense theory of film derived from everyday perceptual experience. Directing: Film Techniques and Aesthetics, Second Edition is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for professionals with sights on the director's chair, Directing covers all stages of production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of control and goes to the heart of what makes a great director. All the 'how-to' information is unified by a theory that naturally links personal experience and vision to the director's decision making and stresses that understanding one's own emotional and perceptual processes is the key to individuality on the screen and to success with audiences.