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Cindy Sherman

Hodnotenie knihy

Parametre

  • 144 stránok
  • 6 hodin čítania

Viac o knihe

The Phaidon Focus series presents engaging, up–to–date introductions to art’s modern masters. Compact, affordable, and beautifully produced, the books in this growing series are written by top experts in their field. Each features a complete chronological survey of an artist’s life and career, interspersed throughout with one–page "Focus" essays examining specific bodies of work. In Cindy Sherman, author Paul Moorhouse, Curator of Twentieth Century Portraits at the National Portrait Gallery, London, explores the groundbreaking artist’s use of portraiture to raise challenging and important questions about the construction of contemporary identity and the nature of representation. Moorhouse introduces some of Sherman’s most important works, including her seminal 1970s series "Untitled Film Stills,", her progression into color photography with the 1980s series "Centerfolds", and her recent large–scale photographic murals.

Nákup knihy

Cindy Sherman, Paul Moorhouse

Jazyk
Rok vydania
2014
Väzba
(pevná)
Akonáhle sa objaví, pošleme e-mail.

Doručenie

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Platobné metódy

3,9
Veľmi dobrá
40 Hodnotenie

Tu nám chýba tvoja recenzia

Jazyk
anglicky
Vydavateľ
Phaidon Press
Rok vydania
2014
Väzba
pevná
Počet strán
144
ISBN10
0714861553
ISBN13
9780714861555
Série
Štítky
Umenie
Hodnotenie
3,85 z 5
Anotácia
The Phaidon Focus series presents engaging, up–to–date introductions to art’s modern masters. Compact, affordable, and beautifully produced, the books in this growing series are written by top experts in their field. Each features a complete chronological survey of an artist’s life and career, interspersed throughout with one–page "Focus" essays examining specific bodies of work. In Cindy Sherman, author Paul Moorhouse, Curator of Twentieth Century Portraits at the National Portrait Gallery, London, explores the groundbreaking artist’s use of portraiture to raise challenging and important questions about the construction of contemporary identity and the nature of representation. Moorhouse introduces some of Sherman’s most important works, including her seminal 1970s series "Untitled Film Stills,", her progression into color photography with the 1980s series "Centerfolds", and her recent large–scale photographic murals.