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Ballad of the Bullet

Hodnotenie knihy

Parametre

  • 272 stránok
  • 10 hodin čítania

Viac o knihe

"Drawing on two years of ethnographic fieldwork and over 150 interviews with gang-affiliated youth in the 'Taylor Park' neighborhood on Chicago's South Side, Ballad of the Bullet reveals that those coming of age in America's poorest neighborhoods are developing new, creative, and online strategies for making ends meet. Dislocated by the erosion of the crack economy and the splintering of corporatized gangs, these young people exploit the unique affordances of digital social media to capitalize on an emerging online market for urban violence (or, more accurately, a market for the representation of urban violence). In the past, violence functioned primarily as a means of social control, allowing urban youth to compete in illegal street markets and defend the social statuses otherwise denied to them by mainstream society. Today, with the rise of platforms like YouTube, Instagram, and Twitter, violence has become a premier cultural commodity in and of itself. By amassing millions of clicks, views, and followers, these young people convert their online displays of violence into vital offline resources, including cash, housing, drugs, sex, and, for a very select few, a ticket out of poverty"--

Vydanie

Nákup knihy

Ballad of the Bullet, Forrest Stuart

Jazyk
Rok vydania
2020
Väzba
(pevná)
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Doručenie

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Platobné metódy

4,4
Veľmi dobrá
203 Hodnotenie

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Titul
Ballad of the Bullet
Jazyk
anglicky
Rok vydania
2020
Väzba
pevná
Počet strán
272
ISBN10
0691194432
ISBN13
9780691194431
Série
Hodnotenie
4,4 z 5
Anotácia
"Drawing on two years of ethnographic fieldwork and over 150 interviews with gang-affiliated youth in the 'Taylor Park' neighborhood on Chicago's South Side, Ballad of the Bullet reveals that those coming of age in America's poorest neighborhoods are developing new, creative, and online strategies for making ends meet. Dislocated by the erosion of the crack economy and the splintering of corporatized gangs, these young people exploit the unique affordances of digital social media to capitalize on an emerging online market for urban violence (or, more accurately, a market for the representation of urban violence). In the past, violence functioned primarily as a means of social control, allowing urban youth to compete in illegal street markets and defend the social statuses otherwise denied to them by mainstream society. Today, with the rise of platforms like YouTube, Instagram, and Twitter, violence has become a premier cultural commodity in and of itself. By amassing millions of clicks, views, and followers, these young people convert their online displays of violence into vital offline resources, including cash, housing, drugs, sex, and, for a very select few, a ticket out of poverty"--