Kniha o dvou sestrách, které nuceně potlačují své emoce, až již nemůžou, aneb co odhaluje volba veganství (protože nejí ani vejce, mléko a jiné živočišné produkty) o rodinných vztazích. Docela trippy, ale stojí za to zkusit
Miláčik čitateľov je práve vypredaný
Viac o knihe
Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.
Nákup knihy
Gli Adelphi: La vegetariana, Han Kang, Milena Zemira Ciccimarra
- Jazyk
- Rok vydania
- 2019
- product-detail.submit-box.info.binding
- (mäkká)
Akonáhle sa objaví, pošleme e-mail.
Platobné metódy
- Titul
- Gli Adelphi: La vegetariana
- Jazyk
- taliansky
- Autori
- Han Kang, Milena Zemira Ciccimarra
- Vydavateľ
- Adelphi
- Rok vydania
- 2019
- Väzba
- mäkká
- Počet strán
- 177
- ISBN10
- 8845934012
- ISBN13
- 9788845934018
- Série
- Štítky
- Beletria, Súčasná literatúra, Jedlo, Vzťahy, Darčeky pre ženy, Duševné zdravie, Spoločenské romány, Ázia, Sfilmované, Sny, Životný štýl, Lesy, Duševné poruchy, Ázijská literatúra, Vegetariánstvo, Hladovanie, Kórea, Južná Kórea, Kórejská literatúra, Bookerova cena
- Prvé vydanie
- 2007
- Pôvodný názov
- 채식주의자 (Čchesikdžuidža)
- Hodnotenie
- 3,6 z 5
- Anotácia
- Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.