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South African artist William Kentridge (b. 1955) has produced an outstanding body of work in multiple mediums―drawings, animations, sculptures, theater and stage design―all of which trace the fraught political and cultural history of South Africa. This book is the first to explore Kentridge’s extraordinary new series of seventeen large-scale tapestries, created under his artistic direction by a team of South African weavers between 2001 and 2007. The tapestries depict shadowy figures that resonate with his collages of itinerant characters set against the weblike backgrounds of 19th-century maps of Europe and Johannesburg. A distinguished group of authors relate the tapestries to the rest of Kentridge’s multifaceted oeuvre, underline the centrality of drawing in his practice, and illuminate the connection between the tapestries and South African geography and history. Together they contribute to an understanding of Kentridge’s tapestries as a precise critical examination of issues surrounding memory and conflict in the context of societies that, while rife with violence, strive for peace and reconciliation.Published in association with the Philadelphia Museum of ArtExhibition Philadelphia Museum of Art (December 12, 2007 – April 6, 2008)

Nákup knihy

William Kentridge, William Kentridge, Okwui Enwezor, Gabriele Guercio, Ivan Vladislavić, Carlos Basualdo, Delamarche

Jazyk
Rok vydania
2008
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Titul
William Kentridge
Podtitul
Tapestries
Jazyk
anglicky
Rok vydania
2008
Väzba
pevná
Počet strán
115
ISBN10
0300126867
ISBN13
9780300126860
Série
Štítky
Umenie
Anotácia
South African artist William Kentridge (b. 1955) has produced an outstanding body of work in multiple mediums―drawings, animations, sculptures, theater and stage design―all of which trace the fraught political and cultural history of South Africa. This book is the first to explore Kentridge’s extraordinary new series of seventeen large-scale tapestries, created under his artistic direction by a team of South African weavers between 2001 and 2007. The tapestries depict shadowy figures that resonate with his collages of itinerant characters set against the weblike backgrounds of 19th-century maps of Europe and Johannesburg. A distinguished group of authors relate the tapestries to the rest of Kentridge’s multifaceted oeuvre, underline the centrality of drawing in his practice, and illuminate the connection between the tapestries and South African geography and history. Together they contribute to an understanding of Kentridge’s tapestries as a precise critical examination of issues surrounding memory and conflict in the context of societies that, while rife with violence, strive for peace and reconciliation.Published in association with the Philadelphia Museum of ArtExhibition Philadelphia Museum of Art (December 12, 2007 – April 6, 2008)