Viac o knihe
Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'
Nákup knihy
Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung, Lester Bangs
- Jazyk
- Rok vydania
- 2014
- Väzba
- (mäkká),
- Stav knihy
- Dobrá
- Cena
- 6,99 €
Platobné metódy
Nikto zatiaľ neohodnotil.
- Titul
- Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung
- Autori
- Lester Bangs
- Vydavateľ
- Profile Books
- Rok vydania
- 2014
- Väzba
- mäkká
- Počet strán
- 416
- ISBN10
- 1781252777
- ISBN13
- 9781781252772
- Série
- Štítky
- Náučná literatúra, Umenie & Kultúra, Historické téma, História, Skutočné príbehy, Hudobná tematika, Hudba, 20. storočie, Publicistika & Eseje, Žurnalistika, Kritika, Populárna kultúra, Rock, Populárna hudba
- Anotácia
- Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'


