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Het kan altijd erger

Hodnotenie knihy

Parametre

  • 315 stránok
  • 12 hodin čítania

Viac o knihe

Vincent Spinetti is an archetypal tortured artist ? a sensitive young writer who falls victim to alienation, parental neglect, poverty, depression, alcoholism, illness, nervous breakdowns, and unrequited love. He is painfully unaware that these torments are due to the secret manipulations of New Renaissance, an experimental organization that is testing the age-old idea that art results from suffering. Since culture is so significantly influenced by music, movies, and television, New Renaissance hopes to improve the mindless mainstream by raising writers who emphasize artistic quality over commerce. As part of its top-secret sub-project, New Renaissance hires reluctant ex-musician Harlan Eiffler to manipulate its most promising prodigy, Vincent. Wickedly antisocial and deeply disgusted by what passes for entertainment in the twenty-first century, Harlan clandestinely pulls the strings so that Vincent remains a true artist. All the while, he poses as Vincent's manager, simultaneously nurturing his prolific career and torturing his soul.

Nákup knihy

Het kan altijd erger, Dirk-Jan Arensman, Goebel Joey

Jazyk
Rok vydania
2006
Väzba
(mäkká),
Stav knihy
Dobrá
Cena
32,99 €

Doručenie

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Platobné metódy

4,2
Veľmi dobrá
1602 Hodnotenie

Tu nám chýba tvoja recenzia

Titul
Het kan altijd erger
Jazyk
holandsky
Vydavateľ
Cossee
Rok vydania
2006
Väzba
mäkká
Počet strán
315
ISBN10
9059361296
ISBN13
9789059361294
Série
Kategórie
Pôvodný názov
Torture the artist
Hodnotenie
4,2 z 5
Anotácia
Vincent Spinetti is an archetypal tortured artist ? a sensitive young writer who falls victim to alienation, parental neglect, poverty, depression, alcoholism, illness, nervous breakdowns, and unrequited love. He is painfully unaware that these torments are due to the secret manipulations of New Renaissance, an experimental organization that is testing the age-old idea that art results from suffering. Since culture is so significantly influenced by music, movies, and television, New Renaissance hopes to improve the mindless mainstream by raising writers who emphasize artistic quality over commerce. As part of its top-secret sub-project, New Renaissance hires reluctant ex-musician Harlan Eiffler to manipulate its most promising prodigy, Vincent. Wickedly antisocial and deeply disgusted by what passes for entertainment in the twenty-first century, Harlan clandestinely pulls the strings so that Vincent remains a true artist. All the while, he poses as Vincent's manager, simultaneously nurturing his prolific career and torturing his soul.