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Lifespan of a Fact

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Now a Broadway Play. An innovative essayist and his fact-checker do battle about the use of truth and the definition of nonfiction. How negotiable is a fact? In 2003, after publishing his book of experimental essays, <em>Halls of Fame</em>, John D’Agata was approached by <em>Harper’s</em> magazine to write an essay for them, one that was eventually rejected due to disagreements related to its fact checking. That essay which eventually became the foundation of D’Agata’s critically acclaimed <em>About a Mountain</em> was accepted by another magazine, the <em>Believer</em>, but not before they handed it to their own fact-checker, Jim Fingal. What resulted from that assignment, and beyond the essay’s eventual publication in the magazine, was seven years of arguments, negotiations, and revisions as D’Agata and Fingal struggled to navigate the boundaries of literary nonfiction. This book includes an early draft of D’Agata’s essay, along with D’Agata and Fingal’s extensive discussion around the text. What emerges is a brilliant and eye-opening meditation on the relationship between “truth” and “accuracy” and a penetrating conversation about whether it is appropriate for a writer to substitute one for the other.

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Lifespan of a Fact, John D'Agata, Jim Fingal

Jazyk
Rok vydania
2012
Väzba
(mäkká),
Stav knihy
Dobrá
Cena
11,49 €

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Titul
Lifespan of a Fact
Jazyk
anglicky
Rok vydania
2012
Väzba
mäkká
Počet strán
128
ISBN10
0393340732
ISBN13
9780393340730
Série
Anotácia
Now a Broadway Play. An innovative essayist and his fact-checker do battle about the use of truth and the definition of nonfiction. How negotiable is a fact? In 2003, after publishing his book of experimental essays, <em>Halls of Fame</em>, John D’Agata was approached by <em>Harper’s</em> magazine to write an essay for them, one that was eventually rejected due to disagreements related to its fact checking. That essay which eventually became the foundation of D’Agata’s critically acclaimed <em>About a Mountain</em> was accepted by another magazine, the <em>Believer</em>, but not before they handed it to their own fact-checker, Jim Fingal. What resulted from that assignment, and beyond the essay’s eventual publication in the magazine, was seven years of arguments, negotiations, and revisions as D’Agata and Fingal struggled to navigate the boundaries of literary nonfiction. This book includes an early draft of D’Agata’s essay, along with D’Agata and Fingal’s extensive discussion around the text. What emerges is a brilliant and eye-opening meditation on the relationship between “truth” and “accuracy” and a penetrating conversation about whether it is appropriate for a writer to substitute one for the other.