David Foster Wallace Knihy

Americký prozaik a esejista David Foster Wallace vystúpil verejne len raz. V roku 2005 sa prihovoril absolventom americkej Kenyonovej univerzity. Jeho prejav vychádza knižne pod názvom Toto je voda a je prvým Wallaceovým textom preloženým do slovenčiny. David Foster Wallace sa snaží odpoveď na otázku – ako žiť svoj život, ako premýšľať? Ako sa dostať zo zajatia vlastného egocentrizmu? Ako nezabudnúť na ľudskosť a súcit? Po autorovej smrti vyšiel text v denníkoch Wall Street Journal, Times či Guardian a dodnes je jedným z najdiskutovanejších filozofických zamyslení.

Presents a collection of eight short fiction stories by American author David Foster Wallace.

David Foster Wallace made an art of taking readers into places no other writer even gets near. The series of stories from which this exuberantly acclaimed book takes its title is a sequence of imagined interviews with men on the subject of their relations with women. These portraits of men at their most self-justifying, loquacious, and benighted explore poignantly and hilariously the agonies of sexual connections.

Set against the backdrop of the Black Death in 1348, ten young Florentines escape to the countryside, where they engage in storytelling as a means of coping with their circumstances. The narrative unfolds through one hundred novelle that tackle diverse themes, including domestic struggles and the political dynamics between Christians and Arabs. David Wallace provides insights into the text's connection to Boccaccio's proto-capitalist Florence, while also addressing gender issues and the influence of the Decameron on later literature, notably Chaucer and the novel.

"Wallace's explorations of morality, self-consciousness, addiction, sports, love, and the many other subjects that occupied him are represented here in both fiction and nonfiction. Collected for the first time are Wallace's first published story, "The View from Planet Trillaphon as Seen In Relation to the Bad Thing" and a selection of his work as a writing instructor, including reading lists, grammar guides, and general guidelines for his students. A dozen writers and critics, including Hari Kunzru, Anne Fadiman, and Nam Le, add afterwords to favorite pieces."--Publisher's description.

Somewhere in the not-so-distant future the residents of Ennet House, a Boston halfway house for recovering addicts, and students at the nearby Enfield Tennis Academy are ensnared in the search for the master copy of INFINITE JEST, a movie said to be so dangerously entertaining its viewers become entranced and expire in a state of catatonic bliss . . . 'Wallace's exuberance and intellectual impishness are a delight, and he has deep things to say about the hollowness of contemporary American pleasure . . . sentences and whole pages are marvels of cosmic concentration . . . Wallace is a superb comedian of culture' James Wood, GUARDIAN

A collection of insightful and uproariously funny non-fiction by the bestselling author of INFINITE JEST - one of the most acclaimed and adventurous writers of our time. A SUPPOSEDLY FUN THING... brings together Wallace's musings on a wide range of topics, from his early days as a nationally ranked tennis player to his trip on a commercial cruiseliner. In each of these essays, Wallace's observations are as keen as they are funny. Filled with hilarious details and invigorating analyses, these essays brilliantly expose the fault line in American culture - and once again reveal David Foster Wallace's extraordinary talent and gargantuan intellect.

In David Lipsky's view, David Foster Wallace was the best young writer in America. Wallace's pieces for Harper's magazine in the 90s were, according to Lipsky, like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.§§Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader's escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an orgy of spectation). They fly back to Illinois, drive home, walk Wallace's dogs. Amid these everyday events, Wallace tells Lipsky remarkable things everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him that grateful, awake feeling the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church.

The "dazzling, exhilarating" (San Francisco Chronicle) debut novel from one of this century's most groundbreaking writers Published when David Foster Wallace was just twenty-four years old, The Broom of the System stunned critics and marked the emergence of an extraordinary new talent. At the center of this outlandishly funny, fiercely intelligent novel is the bewitching heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a slightly altered Cleveland, Ohio. Lenore’s great-grandmother has disappeared with twenty-five other inmates of the Shaker Heights Nursing Home. Her beau, and boss, Rick Vigorous, is insanely jealous, and her cockatiel, Vlad the Impaler, has suddenly started spouting a mixture of psycho-babble, Auden, and the King James Bible. Ingenious and entertaining, this debut from one of the most innovative writers of his generation brilliantly explores the paradoxes of language, storytelling, and reality.

Do lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike's deal anyway? And who won the Adult Video News' Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar? David Foster Wallace answers these questions and more in his new book of hilarious non-fiction. For this collection, David Foster Wallace immerses himself in the three-ring circus that is the presidential race in order to document one of the most vicious campaigns in recent history. Later he strolls from booth to booth at a lobster festival in Maine and risks life and limb to get to the bottom of the lobster question. Then he wheedles his way into an L.A. radio studio, armed with tubs of chicken, to get the behind-the-scenes view of a conservative talkshow featuring a host with an unnatural penchant for clothing that only looks good on the radio. In what is sure to be a much-talked-about exploration of distinctly modern subjects, one of the sharpest minds of our time delves into some of life's most delicious topics.

This collection features five of Wallace's finest essays on tennis, a sport he embraced anew after his Microsoft days. You don't need to play or watch tennis to appreciate this work, as Wallace's writing is as masterful as Federer’s racket skills. Critics praise the essays for their insightful exploration of the sport, capturing both the dedication behind mastering tennis and the extraordinary experiences of world-class players. The collection is described as a tennis classic, deserving a place alongside notable works on the sport. With an engaging introduction by John Jeremiah Sullivan, this volume showcases Wallace's talent and love for tennis, making it a delightful read. His essays blend courtside observations with deep reflections, questioning the genius of top players and what viewers often overlook. Wallace's profound understanding of tennis, combined with his unique analytical perspective, cements his reputation as one of the greatest tennis writers. He portrays tennis not merely as a game but as a complex, almost warlike endeavor. This collection invites readers into Wallace's mind, revealing his unique insights and personal experiences with the sport, including his early competitive journey in the Midwest.

Wer das Wesen der Krankheit Depression verstehen will, muss diesen Text lesen Eine frühe Erzählung von David Foster Wallace, erstmals 1984 in The Amherst Review, einer literarischen Studentenzeitschrift, erschienen. Mit erschreckender Offenheit und Formulierungen, die später in seinen Romanen und Erzählungen Eingang finden werden, erzählt der damals 22-jährige David Foster Wallace über einen Studenten, der an Depressionen erkrankt ist. Die starken Medikamente haben ihn auf einen anderen Planeten geschossen, doch scheint ein Leben dort immer noch das kleinere Übel – einen Weg zurück auf die Erde wird es niemals geben. David Foster Wallace kämpfte zeitlebens mit Depressionen und suchte nach Bildern, um zu beschreiben, was ihn quält. Eine schmerzhafte Erzählung, die die Krankheit in ihrer ganzen monströsen Ausweglosigkeit beschreibt und für Nichterkrankte verstehbar macht.

The agents at the IRS Regional Examination Center in Peoria, Illinois, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has. The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions--questions of life's meaning and of the value of work and society--through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time.

A visionary, a craftsman, a comedian and as serious as it is possible to be without accidentally writing a religious text. He can do anything with a piece of prose, and it is a humbling experience to see him go to work on what has passed up till now as "modern fiction". He's so modern he's in a different time-space continuum from the rest of us. Goddamn him' Zadie Smith The mysterious disappearance of her great- grandmother and twenty-five other elderly inmates from a Shaker Heights nursing home has left Lenore Stonecipher Beadsman emotionally stranded on the edge of the Great Ohio Desert. But that is simply one problem of many for the hapless switchboard operator, seriously compounded by her ongoing affair with boss Rick Vigorous; the TV stardom of her talking cockatiel, Vlad the Impaler; and other minor catastrophes that threaten to elevate Lenore's search for love and self-detemination to new heights of spasmodic weirdness.

Awakening Minds is the layman's guide to sparking spiritual transformation and social empowerment; filled with mindful exercises and practices to help you realize your best self.

In intimate and eloquent interviews, including the last he gave before his suicide, the writer hailed by A.O. Scott of The New York Times as the best mind of his generation considers the state of modern America, entertainment and discipline, adulthood, literature, and his own inimitable writing style. In addition to Wallace's last interview, the volume features a conversation with Dave Eggers, a revealing Q&A; with the magazine of his alma mater Amherst, his famous Salon interview with Laura Miller following the publication of Infinite Jest, and more. These conversations showcase and illuminate the traits for which Wallace remains so beloved: his incomparable humility and enormous erudition, his wit, sensitivity, and humanity. As he eloquently describes his writing process and motivations, displays his curiosity by time and again turning the tables on his interviewers, and delivers thoughtful, idiosyncratic views on literature, politics, entertainment and discipline, and the state of modern America, a fuller picture of this remarkable mind is revealed.

The twenty-two essays in this powerful collection -- perhaps the most diverse in the entire series -- come from a wide variety of periodicals, ranging from n + 1 and PMS to the New Republic and The New Yorker, and showcase a remarkable range of forms. Read on for narrative -- in first and third person -- opinion, memoir, argument, the essay-review, confession, reportage, even a dispatch from Iraq. The philosopher Peter Singer makes a case for philanthropy; the poet Molly Peacock constructs a mosaic tribute to a little-known but remarkable eighteenth-century woman artist; the novelist Marilynne Robinson explores what has happened to holiness in contemporary Christianity; the essayist Richard Rodriguez wonders if California has anything left to say to America; and the Harvard biologist Edward O. Wilson attempts to find common ground with the evangelical community.In his introduction, David Foster Wallace makes the spirited case that “many of these essays are valuable simply as exhibits of what a first-rate artistic mind can make of particular fact-sets -- whether these involve the 17-kHz ring tones of some kids’ cell phones, the language of movement as parsed by dogs, the near-infinity of ways to experience and describe an earthquake, the existential synecdoche of stagefright, or the revelation that most of what you’ve believed and revered turns out to be self-indulgent crap.”

This collection could possibly represent the first flowering of post-postmoderism: visions of the world that re-imagine reality as more realistic than we can imagine. A compelling presence of a holograph and the up-to-the-second feeling of the most advanced art.

One of the outstanding voices of his generation, David Foster Wallace has won a large and devoted following for the intellectual ambition and bravura style of his fiction and essays. Now he brings his considerable talents to the history of one of math's most enduring puzzles: the seemingly paradoxical nature of infinity. Is infinity a valid mathematical property or a meaningless abstraction? The nineteenth-century mathematical genius Georg Cantor's answer to this question not only surprised him but also shook the very foundations upon which math had been built. Cantor's counterintuitive discovery of a progression of larger and larger infinities created controversy in his time and may have hastened his mental breakdown, but it also helped lead to the development of set theory, analytic philosophy, and even computer technology. Smart, challenging, and thoroughly rewarding, Wallace's tour de force brings immediate and high-profile recognition to the bizarre and fascinating world of higher mathematics.

Philosophy of physics is concerned with the deepest theories of modern physics--quantum theory, our theories of space, time and symmetry, and thermal physics--and their strange, even bizarre conceptual implications. This book explores the core topics in philosophy of physics, and discusses their relevance for both scientists and philosophers.

A compilation of fifteen of Wallace's seminal essays, all published in book form for the first time

In this anthology, 26 writers illuminate the motivations at the heart of their creative lives in original essays that are as surprising and varied as their fiction. The contributors include Pat Conroy, Norman Mailor, Rick Moody and David Foster Wallace.

“Il vostro autore è un tizio con un interesse amatoriale di livello medio-alto per la matematica e i sistemi formali. Ha sempre detestato (con gli scarsi risultati che ne conseguono) qualsiasi corso di matematica seguito nel corso della sua vita, con una sola eccezione, peraltro estranea al suo curriculum universitario: un corso tenuto da uno di quei rari specialisti che sanno dare vita e necessità ai concetti astratti, che quando tengono una lezione parlano veramente con te e di cui tutto quanto vi è di buono in questo libro e una pallida e benintenzionata imitazione”. Autore di culto in tutto il mondo, romanziere tra i più esplosivi in circolazione, David Foster Wallace torna a confrontarsi con l’infinito dopo l’impresa titanica di Infinite Jest. Smesse le vesti dello scrittore di fiction Wallace si prende la responsabilità di indossare i panni del matematico determinato a regolare i suoi conti con il concetto del quale non si può pensare niente di più grande. Il risultato è un reportage senza esclusione di colpi nel mondo astratto dei numeri, tra formule spaccacervello e grafici astrusi. Arrivare alla meta, come sempre nel caso di Wallace, è impresa che ripaga di ogni sforzo trascorso. E il genio e l’ironia con cui attraversa lo spazio ricurvo della lettura riconcilia con l’ostinazione opaca dei numeri, nonostante il professore alla lavagna sia uno che fa le cose molto sul serio.

Digging in the crates we uncovered this old-school classic from David Foster Wallace and his friend and room-mate Mark Costello, first published in 1990, long out of print, and previously unavailable outside the USA. A paean to the golden age of Hip-Hop and the first book to consider seriously its position as a vital force in American culture, Signifying Rappers is a must-read for fans of both Wallace and hip-hop. Set against the legendary 1980s scene, it maps the bipolarities of rap and pop, rebellion and acceptance, glitz and gangsterdom, with an energy and exuberance which is as fresh today as when it was written.

Paradise Rue is the story of a young abandoned woman who makes her way to the exciting world of Montmartre in Paris in the late 1800s during the explosion of the French Impressionist art movement and the vibrant, budding nightclub scene in the district. Josay Rue learns to navigate this dangerous and difficult landscape by risk-taking and using talents she never knew she possessed. Along the way, she meets and befriends artists, entertainers, restauranteurs, business leaders, politicians, gangsters, and royalty. Josay Rue becomes an integral part of the world of art and a moving force in the exciting nightclub life of Montmartre at the very beginning of its historical rise which eventually led to places like the Moulin Rouge. She and her friends and even her enemies help to make Paris become the envy of every entertainment scene in the world--- and the City of Lights.

»Eine Kompetenzgranate mit Dauerzündung, die unterhalten, aber nicht unterfordern will« Ulrich Blumenbach. Zum zehnten Todestag des wichtigsten amerikanischen Autors seiner Generation erscheinen alle Essays in einem Band. Gerade die Essays und Reportagen sind für viele Kritiker und Leser Wallace’ Königsdisziplin, und in dieser nach Themen geordneten Anthologie sind seine Beobachtungsschärfe und sprachliche Brillanz neu zu entdecken. Neben Romanen und Erzählungen hat David Foster Wallace immer auch Essays geschrieben, mal im Auftrag von Zeitschriften und Zeitungen, mal für Sammlungen. Zu den bekanntesten gehört sicherlich »Schrecklich amüsant – aber in Zukunft ohne mich«, sein berühmter Text über die Reise auf einem Kreuzfahrtschiff, und »Das hier ist Wasser«. Dieses monumentale Buch versammelt alle Sachtexte des großen amerikanischen Autors. Ulrich Blumenbach, der längst zur deutschen Stimme Wallace’ geworden ist, hat die Essays in diesem finalen Band nach Themengebieten geordnet: Von Tennis über Ästhetik, Sprache & Literatur, Politik, Film & Fernsehen, die Unterhaltungsindustrie und Leben & Liebe reicht die Bandbreite. So ist Wallace in all seiner Brillanz in diesen höchst unterhaltsamen und klugen Texten aufs Neue zu entdecken und zu bewundern.

Können wir die Zukunft durch unser Handeln beeinflussen? Oder ist sie von Gott, vom Schicksal oder von Naturgesetzen vorherbestimmt? Diese Frage beschäftigt Philosophen seit der Antike. 1985 nahm sich ein Student vor, sie ein für allemal zu lösen – David Foster Wallace. Er jongliert souverän mit modallogischen Formeln und Diagrammen und führt exzentrische Beispiele ins Feld, die direkt seinen Erzählungen entsprungen sein könnten: Terroristen, Stabhochspringer, Tennisspieler ohne Schläger. Neben dem posthum erschienenen Aufsatz enthält der Band eine biografische Skizze über Foster Wallace’ Studentenzeit und eine kurze Einführung in die Modallogik.

Der Chronist unserer rasenden Depression. Nach dem Tod von David Foster Wallace schrieb Richard Powers, er sei «der Beste unserer Generation» gewesen. In diesem letzten Erzählungsband nimmt Wallace mit Schärfe und Witz die Deformationen des Menschen im Medienzeitalter aufs Korn. Und das mit großer Meisterschaft, egal, ob er von den üblen Folgen einer Schönheitsoperation erzählt oder vom Versuch eines Paares, in einem Schlaflabor zu ermitteln, wer durch sein Schnarchen wann wen vom Schlafen abhält.

I sei racconti di Questa è l'acqua , scritti tra il 1984 e il 2005, offrono uno sguardo di insieme sulla straordinaria avventura artistica di Wallace, e una summa delle sue tematiche e dei diversi stili con cui le ha affrontate ed esaltate. La depressione, vivisezionata nelle sue spietate dinamiche nel doloroso e commovente Il pianeta Trillafon in relazione alla Cosa Brutta ; la ricerca di una nuova maturità ed equilibrio nel discorso tenuto davanti agli studenti del Kenyon College, che dà il titolo alla raccolta; il sentimento amoroso in tutte le sue possibili declinazioni, tra goffaggine, tenerezza, crudeltà, nelle due novelle Solomon Silverfish e Ordine e fluttuazione a Northampton ; l'adolescenza come stagione della vita in cui ricerca d'identità e perversione finiscono per coesistere, in Altra matematica ; le nuove complessità del mondo globale e il crollo di ogni logica binaria, nel piccolo gioiello Crollo del '69 . A un anno dalla tragica scomparsa, con questo nuovo libro di racconti torniamo ad ascoltare la voce unica e incomparabile di David Foster Wallace.

Einblicke in ein ziemlich schillerndes Milieu – David Foster Wallace goes Pornoindustrie Jedes Jahr findet im Caesars Palace in Las Vegas die Verleihung der Adult Video News Awards statt, der Oscars der Pornoindustrie. Im Auftrag der Zeitschrift Premiere besucht David Foster Wallace 1998 die Preisverleihung sowie die zugehörige Pornomesse und lässt sich dort von Branchenjournalisten mit so schönen Namen wie Dick Filth die subtilen Hierarchien, erbittertsten Branchenfehden und wildesten Gerüchte dieser ziemlich flamboyanten Parallelkultur näherbringen. Er schreibt über geklaute Trophäen, größenwahnsinnige Regisseure, naturschöne Darstellerinnen, wahre Klischees und das Pornobusiness als gänzlich ironiefreie Zone. Brillant beobachtet und sehr, sehr lustig – David Foster Wallace at his best!

»Ich wusste nicht, ob daraus der beste oder der schlimmste Text über mich werden würde.« Roger Federer. 2006 reiste David Foster Wallace im Auftrag der New York Times nach Wimbledon, um über das dortige Tennisturnier zu schreiben. Wallace, selbst in seiner Jugend ein erfolgreicher Tennisspieler, traf Roger Federer – für ihn eine fast göttliche Begegnung. David Foster Wallace’ Reportagen sind Herzstücke seines großen Werks. 2006 traf Wallace Roger Federer und führte ein Interview mit dem damals noch nicht ganz so berühmten Schweizer, dessen »übermenschliche Karriere« langsam Fahrt aufnahm. Herausgekommen ist ein Text, der Federers Talent beschreibt, der aber auch wie immer bei Wallace die scheinbaren Nebensächlichkeiten des Turniers in den Blick nimmt. Dieser Text ist berühmt geworden – nicht zuletzt, weil die Tennisspielerin und Autorin Andrea Petković ihn wie die anderen Tennistexte von Wallace mit Nachdruck immer wieder empfiehlt.

“Il vostro autore è un tizio con un interesse amatoriale di livello medio-alto per la matematica e i sistemi formali. Ha sempre detestato (con gli scarsi risultati che ne conseguono) qualsiasi corso di matematica seguito nel corso della sua vita, con una sola eccezione, peraltro estranea al suo curriculum universitario: un corso tenuto da uno di quei rari specialisti che sanno dare vita e necessità ai concetti astratti, che quando tengono una lezione parlano veramente con te e di cui tutto quanto vi è di buono in questo libro e una pallida e benintenzionata imitazione”. Autore di culto in tutto il mondo, romanziere tra i più esplosivi in circolazione, David Foster Wallace torna a confrontarsi con l’infinito dopo l’impresa titanica di Infinite Jest. Smesse le vesti dello scrittore di fiction Wallace si prende la responsabilità di indossare i panni del matematico determinato a regolare i suoi conti con il concetto del quale non si può pensare niente di più grande. Il risultato è un reportage senza esclusione di colpi nel mondo astratto dei numeri, tra formule spaccacervello e grafici astrusi. Arrivare alla meta, come sempre nel caso di Wallace, è impresa che ripaga di ogni sforzo trascorso. E il genio e l’ironia con cui attraversa lo spazio ricurvo della lettura riconcilia con l’ostinazione opaca dei numeri, nonostante il professore alla lavagna sia uno che fa le cose molto sul serio.