Morgan's groundbreaking study on public medical aid explores the benefits and challenges of providing relief for sickness to the general population, and offers suggestions for how these programs can best be implemented.
The poetry in this book reflects many emotions, varying in intensity from a natural concern for the earth we live on, to sheer anger at some of the dreadful actions of mankind. The book starts with 'The Battle of Jutland' followed by some poems reflecting upon life for ordinary seamen in the process of becoming competent seafarers. The poetic style used is intended to be attractive to younger students studying British history and other poems.
A comprehensive volume about St David, the patron saint of Wales. It contains information about the life of David, his religion, the myths associated with him, the history of St David's Day and lists the churches which carry his name.
You may be a castle enthusiast on holiday or an armchair aficionado seeking the perfect introduction to Welsh castles. If so, here is the perfect solution: a combination of fireside companion and practical handbook for windswept walks. The introduction sweeps through medieval history, setting the castles in their historical, political and military context, while the main text is a practical guide to nearly 80 castles with grid reference and notes on access, history and building details. Fully illustrated, "Castles in Wales, A Handbook" also includes a list of over 400 medieval castles, and an appendix of possible, post-medieval and lost castles.
The study of the work of Geoffrey Chaucer – still regarded as a literary genius more than 600 years after his death – centres on the problems of detailed readings of his poetry (including in some cases the textual authority for these readings) and the historical context that gives them meaning. In some ways, the modern understanding of the shaping historical context was undermined in the second half of the twentieth century by the dogmatism of Robertsonian Augustinianism, as a basis for the interpretation of medieval literature in general and of Chaucer’s poetry in particular, and at the same time by the reactions of determined opposition provoked by this approach. Undeniably, medieval views often fail to coincide with modern ones and they are frequently uncomfortable for modern readers. Nevertheless, Chaucer’s brilliance as an observer of the human scene coexists with and irradiates these unfamiliar medieval ideas. The essays in this volume explore in detail the historical context of Chaucer’s poetry, in which orthodox Catholic ideas rather than revolutionary Wycliffite ones occupy the central position. At the same time, they offer detailed readings of his poetry and that of his famous contemporaries in an attempt to do justice to the independent and original work of these poetic masters, writing in the great royal households of England in the period 1360-1400.
Includes a collection of essays that sets out to correct an injustice to citizens of the Irish Free State, or Twenty-Six Counties, whose contribution to the victory against Nazi Germany in the Second World War has thus far been obscured.
This collection of essays is conceived not as a summary of past endeavours but as the beginning of an attempt to present a sense of the wholeness of a distinctively English literature from Beowulf to Spenser. The native alliterative tradition of England is represented by its final flowering in two essays on Sir Gawain and the Green Knight and three on Piers Plowman. The renewal of English letters in the fourteenth century, inspired by continental models in French and Italian, is represented by four essays on Chaucer. The poetic achievement of these three medieval masters remains unmatched until Spenser announces himself in a third great age in the history of English poetry and this is represented by three essays on the first three books of The Faerie Queene. Spenser’s indebtedness to Langland and Chaucer, and his philosophical conservatism in drawing on the thought of Aristotle and the tradition of medieval commentary surrounding the works of Aristotle, ensure that the tradition of English poetry in the Renaissance is securely rooted in its medieval inheritance.